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Black Rappers Call on
Blacks
to Murder & Rape Whites
Exterminating White People
By Selwyn Duke

Hate-Mongering Kamau Kambon
Calls On C-Span For Blacks To Exterminate ALL White People
And He Is A University Professor!!!

Cho’s
Professor Nikki Giovanni: Teaching Hate At Virginia Tech
And She Is A University
Professor!!!
The
Race War of Black Against White

Wake Up
Whitey!!!
Want to bet that not one - not one single
one - was charged with a "Hate Crime?"

Here's what black rappers
say, and what their followers do.
And they are
recorded and paid and released by MAJOR Corporations!!!
Time Warner, EMI, Sony Music
Entertainment, Electra, Polygram, Philips
etc.....Why,
Why, Why, Why, Why!!!!!! ---Because it's ALL part of a plan to create chaos,
hatred and fear to Divide and Conquer, pitting blacks against whites and thus
make it impossible to fight TOGETHER for a better society! Who just owns these
Corporations? Perhaps THAT should give us a clue as to WHY they would do this to
us whites!!! And what's even more disturbing is that NONE of the self-important
black leaders such as Jesse Jackson or Al Sharpton or the majority of black
ministers ever protest against it and apologize to the white community. And yes,
there are in deed white bands which have produces hateful material towards other
races but they are NEVER published by large labels nor are they ever readily
available at most stores which carry CD discs. But these black "artists" are ARE
READILY AVAILABLE at most places and are bought therefore by a large amount of
blacks. How do I know this? Because I live in the South and I hear it blasting
from cars daily! Gives you a wonderful feeling doesn't it? What a great world we
live in indeed!
Kill the white people; we gonna make them hurt; kill the white
people; but buy my record first; ha, ha, ha";
"Kill d'White People";
--Apache, Apache Ain't Shit, 1993, Tommy Boy Music, Time Warner, USA.
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Denver, CO- A white female teenager, Brandy DuvaI, is raped, sodomized, tortured
with a broomstick and stabbed 28 times by a gang of six blacks and Hispanics.
Her skull is caved in and corpse dumped into a ditch. Police confiscate a blood
soaked mattress as evidence. The murder trial started on the same day as the
James Byrd trial!

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"Niggas in the church say: kill whitey all night long. .
. the white man is the devil. . . . the CRIPS and Bloods are
soldiers I'm recruiting with no dispute; drive-by shooting on this
white genetic mutant. . . . let's go and kill some rednecks. . . .
Menace Clan ain't afraid. . . . I got the .380; the homies think I'm
crazy because I shot a white baby; I said; I said; I said: kill
whitey all night long. . . . a nigga dumping on your white ass; fuck
this rap shit, nigga, I'm gonna blast. . . . I beat a white boy to
the motherfucking ground"; "Kill Whitey"; --Menace Clan, Da Hood,
1995, Rap-A-Lot Records, Noo Trybe Records, subsidiaries of what was
called Thorn EMI and now is called The EMI Group, United Kingdom.
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"Devils fear this brand new shit. . . . I bleed them
next time I see them. . . . I prey on these devils. . . . look what
it has come to; who you gonna run to when we get to mobbing. . . .
filling his body up with lead, yah; cracker in my way; slitting, slit
his throat; watch his body shake; watch his body shake; that's how we
do it in the motherfucking [San Francisco] Bay. . . . Sitting on the
dock of the dirty with my AK"; "Heat-featuring Jet and Spice1"; --
Paris, Unleashed, 1998, Unleashed Records, Whirling Records.
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Killeen, TX - A white couple, Todd and Stacy Bagley are kidnapped on the way to
church, lit on fire, burned to death and shot in the head by four blacks.
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"These devils make me sick; I love to fill them full of
holes; kill them all in the daytime, broad motherfucking daylight; 12
o'clock, grab the Glock; why wait for night"; "Sweatin Bullets"; --
Brand Nubian, Everything Is Everything, 1994, Elektra Entertainment,
Warner Communications, Time Warner, USA.
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"A fight, a fight, a nigger and a white, if the nigger
don't win then we all jump in. . . . smoking all [of] America's white
boys"; --"A Fight"; Apache, Apache Ain't Shit, 1993, Tommy Boy Music,
Time Warner, USA.
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Flint,Michigan - Three white teenagers, Michael Carter, Dustin Kaiser and
(girl's name withheld by police) are attacked by six black youths. Carter is
shot and killed. Kaiser is beaten and shot in the head, but recovers. The girl
is forced to perform oral sex on her black attackers, pistol whipped and shot in
the face.
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"I kill a devil right now. . . . I say kill whitey all
nightey long. . . .I stabbed a fucking Jew with a steeple. . . . I
would kill a cracker for nothing, just for the fuck of it. . . .
Menace Clan kill a cracker; jack 'em even quicker. . . . catch that
devil slipping; blow his fucking brains out"; "Fuck a Record Deal";
-- Menace Clan, Da Hood, 1995, Rap-A-Lot Records, Noo Trybe Records,
subsidiaries of Thorn EMI; called The EMI Group since 1997, United
Kingdom.
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South Carolina - A white female, Melissa McLaughlin, is raped, tortured and
skinned alive in a tub of bleach by seven blacks.
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"Now I'm black but black people trip 'cause white people
like me; white people like me I but don't like them. . . . I don't
hate whites, I just gotta death wish for motherfuckers that ain't
right";
--"Race War"; Ice-T, Home Invasion, 1993, Priority Records,
Thorn EMI; now called The EMI Group, United Kingdom.
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"To all my Universal Soldier's: stay at attention while
I strategize an invasion; the mission be assassination, snipers
hitting Caucasians with semi-automatic shots heard around the world;
my plot is to control the globe and hold the world hostage. . . .
see, I got a war plan more deadlier than Hitler. . . . lyrical
specialist, underworld terrorist. . . . keep the unity thick like
mud. . . . I pulling out gats , launching deadly attacks";
--"Blood
for Blood"; Killarmy, Silent Weapons for Quiet Wars, 1997, Wu-Tang
Records, Priority Records, The EMI Group, United Kingdom.
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Jacksonville, FL - A mentally retarded white man, Gregory Griffith, is beaten
and stomped unconscious by blacks and died a few days later. The blacks admitted
to the police beating Griffith because "he was white".
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"Lead to the head of you devils"; "Lick Dem
Muthaphuckas-Remix";
--Brand Nubian, Everything Is Everything, 1994,
Elektra Entertainment, Warner Communications, Time Warner, USA.
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"This will all be over in '99, so, niggas, give devils
the crime; gonna be more devils dying"; --"No Surrender";
Bone Thugs-
N-Harmony, Creepin on ah Come Up, 1994, Ruthless Records, Epic
Records, Sony Music Entertainment, Sony, Japan.
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Kansas City, MO - A black male shoots two white co-workers, Micheal Scott and
Traci Riehle. Scott is killed and Riehle is critically injured. Police find a
note referring to "blood sucker supreme white people".
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"Won't be satisfied until the devils-I see them all
dead. . . . my brother is sending me more guns from down South. . . .
pale face. . . . it's all about brothers rising up, wising up, sizing
up our situation. . . . you be fucking with my turf when you be
fucking with my race; now face your maker and take your last breath;
the time is half-past death. . . . it's the Armageddon. . . . go into
the garage; find that old camouflage. . . . cracker-shooting
nightly";
--"What the Fuck"; Brand Nubian, Everything Is Everything,
1994, Elektra Entertainment, Warner Communications, Time Warner, USA.
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".44 ways to get paid. . . . I'm through with talking to
these devils; now I'm ready to blast";
--"44 Wayz-featuring Mystic";
Paris, Unleashed, 1998, Unleashed Records, Whirling Records.
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Alexandria, VA - An eight year old white child, Kevin Shiffiet, is killed when
his throat is slit by a black who also stabs his 80 year old great grandmother
and punches her in the chest. Police find a hand rambling note stating. "Kill
them raceess whiate kidd's anyway".
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"Like my niggas from South Central Los Angeles they
found that they couldn't handle us; Bloods, CRIPS, on the same squad,
with the Essays up, and nigga, it's time to rob and mob and break the
white man off something lovely";
--"The Day the Niggaz Took Over"; Dr
Dre, The Chronic, 1993, Interscope Records, under Time Warner in
1993.
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Burlington, NC - A ten year old white child, Tiffany Long, is raped, sodomized,
sexually tortured and murdered by two black males and a black female. The black
female rams a broomstick up her vagina and rectum. The parents were prohibited
from seeing their dead daughter's body.
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"Bust a Glock; devils get shot. . . . when God give the
word me herd like the buffalo through the neighborhood; watch me
blast. . . . I'm killing more crackers than Bosnia-Herzegovina, each
and everyday. . . . don't bust until you see the whites of his eyes,
the whites of his skin. . . . Louis Farrakhan . . . Bloods and CRIPS,
and little old me, and we all getting ready for the enemy"; --
"Enemy"; Ice Cube, Lethal Injection, 1993, Priority Records, Thorn
EMI; now called The EMI Group, United Kingdom.
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"Devil, to gangbanging there's a positive side and the
positive side is this-sooner than later the brothers will come to
Islam, and they will be the soldiers for the war; what war, you ask;
Armageddon; ha, ha, ha, ha, ha";
"Armageddon"; -- RBX, The RBX Files,
1995, Premeditated Records, Warner Brother Records, Time Warner, USA.
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"Subtract the devils that get smoked. . . . we're
people, black people; steal your mind back, don't die in their
wilderness. . . . let's point our heaters the other way";
--"Dial 7";
Digable Planets, Blowout Comb, 1994, Pendulum Records, Thorn EMI; now
called The EMI Group, United Kingdom.
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"Get them devil-made guns and leave them demons
bleeding; give them back whips, and just feed them bullets";
--"Wicked Ways"; Sunz of Man, One Million Strong: The Album, 1995,
Mergela Records, Solar/Hines Co., Prolific Records.
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Fayetteville, NC - Two white women, Tracy Lambert and Susan Moore, are carjacked
by a group of seven blacks and Hispanics and shot execution style in the head.
This murder was part of a gang initiation. The bullets found in the victims'
heads were painted blue, the Crips' gang color.
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"It's time to send the devil to the essence. . . this is
a must because there ain't no reform or trust; you got a Glock and
you see a devil, bust... . they'll be calling us the trigger men, the
nappy-knotty red-beard devil-assassin; Lord make a law; at midnight
I'll be bashing. . . . field niggas [are] locked in until 2005";
--"Field Nigguhz in a Huddle"; Professor Griff, Blood of the Prophet;
1998, Lethal Records, Mercury Records, PolyGram, Phillips'
Electronics NV, Netherlands. PolyGram merged with Universal Music
Group in 1998, the parent being The Seagram Company of Canada, owned
by Edgar Bronfman.
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Alton, Illinois - A white male, Richard Skelton, is attacked and stomped to
death by a group of 25 blacks while black onlookers yell, "Kill the cracker".
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"He preys on old white ladies [who] drive the Mercedes
with the windows cracked. . . . you should've heard the bitch
screaming. . . . sticking guns in crackers' mouths. . . . the cops
can't stop it. . . . remember 4-29-92, come on; Florence and Normandy
coming to a corner near you, cracker; we've been through your area,
mass hysteria; led by your motherfucking Menace Clan";
--"Mad Nigga";
Menace Clan, Da Hood, 1995, Rap-A-Lot Records, Noo Trybe Records,
Time Warner, USA.
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"The black man is god. . . . buy a Tec [and] let loose
in the Vatican. . . I love the black faces; so put your Bible in the
attic"; --"Ain't No Mystery";
Brand Nubian, In God We Trust, 1992,
Elektra Entertainment, Warner Communications, Time Warner, USA.
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Cleveland, OH - A five year old white girl, Devon Duniver, was stabbed to death
by a black teenager who said after the murder, "She got what she deserved."
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"Rhymes is rugged like burnt buildings in Harlem; the Ol
Dirty Bastard. . . . I'm also militant. . . . snatching devils up by
the hair, then cut his head off";
--"Cuttin Headz"; Ol Dirty Bastard,
Return of the 36 Chambers: the Dirty Version; 1995, Elektra
Entertainment, Time Warner, USA.
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Kansas City, MO - A six year old white child, Jake Robel, is dragged to death by
a black carjacker who drove away even as the boy being dragged screamed outside
of the car door while still partially attached to the seat belt.
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"Listen to this black visionary, bringing war like a
revolutionary. . . . go on a killing spree, putting devils out their
misery; hearing screams, sounds of agony; my hostility takes over me.
. . camouflaged ninjas avenging";
--"Under Seige"; Killarmy, Silent
Weapons for Quiet Wars, 1997, Wu-Tang Records, Priority Records, The
EMI Group, United Kingdom.
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"Swing by on the pale guy. . . . break him in the neck.
. . the guerrilla with the poison tip. . . . shaking pinky up on a
dull-ass ice-pick . . . this is Lench Mob. . . . devil, what you want
to do; when you see the boot, knew your head is hoohoo ";
--"King of
the Jungle"; Da Lench Mob, Planet of da Apes, 1994, Priority Records,
Thorn EMI; now called The EMI Group, United Kingdom.
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Buffalo, NY - A white man, Gary Traska, is stomped to death by three blacks.
Many of his organs were actually split apart from the savage beating.
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"Dropping verses, casting curses, throwing these hexes
on the devils. . . . respect to Farrakhan, but I'm the jungle-don,
the new guerrilla, top-ranked honky killer. . . . what do blacks do;
they just keep on blowing devils away. . . . evil fucking cracker. .
. I'm tightening up the laces to my steel-toed boots, so I can
walk, stomp; we stomp this devil down in the park";
--"Planet of da
Apes"; Da Lench Mob, Planet of da Apes, 1994, Priority Records, Thorn
EMI; now called The EMI Group, United Kingdom.
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Fayetteville, NC - A white male, Donald Lange, is stomped by ten black males.
Lange is now brain dead and a complete vegetable.
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"We're having thoughts of overthrowing the government. .
. the brothers and sisters threw their fists in the air. . . . it's
open season on crackers, you know; the morgue will be full of
Caucasian John Doe's. . . . I make the Riot shit look like a fairy
tale. . . . oh my god, Allah, have mercy; I'm killing them devils
because they're not worthy to walk the earth with the original black
man; they must be forgetting; it's time for Armageddon, and I won't
rest until they're all dead";
--"Goin Bananas"; Da Lench Mob, Planet
of da Apes, 1994, Priority Records, Thorn EMI; now called The EMI
Group, United Kingdom.
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Salt Lake City, UT - A black man breaks into the house of two white women, Amy
Clinton and Aaron Warren. The black man stabs both women, killing Amy Clinton
and seriously injuring Aaron Warren.
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"The crackers ain't shit; chase them out of the jungle;
now raise up off the planet. . . . we get the 12 gauge; shot to the
chest. . . . we hitting devils up. . . . Da Lench Mob, environmental
terrorist. . . . I gripped the Glock and had to knock his head from
his shoulders. . . . I got the .30[6] on the rooftop; pop; pop; so
many devils die. . . . make sure I kill them. . . lynch a thousand a
week if it's necessary";
--"Environmental Terrorist"; Da Lench Mob,
Planet of da Apes, 1994, Priority Records, Thorn EMI; now called The
EMI Group, United Kingdom.
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Bloomington, IL - A white female, Patricia Stansfield is dragged two miles to
her death during a carjacking by a black male.
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"Like an armed struggle. . . . I come with the New Wu
Order. . . . waging war on the devils' community. . . . whipped
cardinals and one Pope";
--"Universal Soldiers"; Killarmy, Silent
Weapons for Quiet Wars, 1997, Wu-Tang Records, Priority Records, The
EMI Group, United Kingdom.
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"Swinging out of the trees, is the blood-spilling,
devil-killing, nappy-headed g.'s. . . . blacks and Mexicans must take
a stand. . . . I'm down with Chico, and not with the man";
--"Set the
Shit Straight"; Da Lench Mob, Planet of da Apes, 1994, Priority
Records, Thorn EMI; now called The EMI Group, United Kingdom.
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Reno, NV - A Polynesian immigrant kills a white police officer, George Sullivan,
with a hatchet Sullivan is struck 20 times. The immigrant admits to killing
Sullivan because "he was a white police officer".
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"Fuck them laws, because the Mob is coming raw; nigga,
is you down because it's the Final Call. . . . grab your gat; know
the three will start busting; I'm trying to take them down. . . . the
war of wars with no fucking scores. . . . April 29 was a chance to
realize . . . the g.'s are out to kill. . . . we got crackers to
kill; sending them back in on a ship to Europe. . . . they deserve
it. . . . a nation-wide riot across America. . . . this is the Final
Call on black man and black woman, rich and poor; rise up";
--"Final
Call"; Da Lench Mob, Planet of da Apes, 1994, Priority Records, Thorn
EMI; now called The EMI Group, United Kingdom.
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"I come with the wicked style. . . . I got everybody
jumping to the voodoo. . . . I got a gat and I'm looking out the
window like Malcolm. . . . April 29 was power to the people, and we
just might see a sequel";
--"Wicked"; Ice Cube, The Predator, 1992,
Priority Records, Thorn EMI; now called The EMI Group, United
Kingdom.
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Boulder, CO - A white college student, "Jane Doe", is gang-raped at gun-point by
six blacks. Because of court proceedings and fear of retaliation by the "Crips",
she is referred to as "Jane Doe". The blacks admit to raping the girl "because
she was blonde and white".
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"Deal with the devil with my motherfucking steel. . . .
white man is something I tried to study, but I got my hands bloody,
yeah. . . . I met Farrakhan and had dinner";
--"When Will They
Shoot"; Ice Cube, The Predator, 1992, Priority Records, Thorn EMI;
now called The EMI Group, United Kingdom.
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"Actual fact you need to be black. . . . everyday I
fight a devil. . . . I grab a shovel to bury a devil. . . . the
battle with the beast, Mr. 666. . . . my mind rolled to a 7th level;
grab my bazooka and nuke a devil. . . . with black, I build; for
black, I kill";
--"Fightin the Devil"; RBX, The RBX Files, 1995,
Premeditated Records, Warner Brother Records, Time Warner, USA.
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Racine, WI- A black gang member, Nazeer Ghani, fires into a crowd of white
concert-goers while shouting racial epithets, killing father of two Joe Rowan.
Although identified by 30 witnesses, police release the killer for "lack of
evidence."
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"I pledge allegiance to only the black. . . . black, you
had best prepare for the coming of war. . . . look at you devil; now
you're sweating; I'm telling you: you can't run from the hand of
Armageddon. . . . he eats his pig-steak rare so he can taste the
blood";
--"No Time"; RBX, The RBX Files, 1995, Premeditated Records,
Warner Brother Records, Time Warner, USA.
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"Killing devils [and] scatter they ashes over the sea of
Mediterranean . . . . open your eyes to the revolution. . . . unite
with the black coalition";
--"Wake Up"; Killarmy, Silent Weapons for
Quiet Wars, 1997, Wu-Tang Records, Priority Records, The EMI Group,
United Kingdom.
-------------------------------------------------------------
"My own kind blind, brain-trained on the devil-level. . . . chasing
down loot, Dole or Newt, who do you shoot. . . . rough stuff to the
babies, spread like rabies";
--"Niggativity . . . Do I Dare Disturb
the Universe"; Chuck D, Autobiography of MistaChuck, 1996, Mercury
Records, PolyGram, Phillips' Electronics NV, Netherlands. PolyGram
merged within Universal Music Group in 1998, the parent being The
Seagram Company, Canada.
---------------------------------------------------------------
"Buck the devil; boom. . . . shoot you with my .22; I got plenty of
crew; I take out white boys. . . . we got big toys with the one-mile
scope, taking whitey's throat";
--"Buck tha Devil"; Da Lench Mob,
Guerrillas in tha Mist, 1992, Eastwest Records America, Elektra,
Atlantic, Time Warner, USA.
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Pine Ridge Indian Reservation, SD- A white man is dragged to his
death by Indians. Federal officials hesitate to call it a "hate crime".
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"Little devils don't go to heaven. . . . the AK forty . . . hold a
fifty clip, and I'll shoot until it's empty. . . . I'm killing only
seven million civilians. . . . one dead devil";
"Freedom Got an AK";
Da Lench Mob, Guerrillas in tha Mist, 1992, Eastwest Records America,
Elektra, Atlantic, Time Warner, USA.
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"Grab your deep-ass crews. . . . we gotta make them ends, even if it
means Jack and friends. . . . now you're doomed, hollow-points to the
dome; once again it's on. . . . out comes my .22. . . . I'm the cut-
throat; now I got to cut you . . . '94 is the season for lynching;
from out of the dark is the South Central g., ready-hand steady on a
bloody machete. . . . a devil is on my shoulder; should I kill it;
hell yah. . . . I slice Jack. . . . took an axe, and gave that bitch,
Jill, forty wacks. . . . with my hip hop . . . it don't stop, until
heads roll off the cutting block";
--"Cut Throats"; Da Lench Mob,
Planet of da Apes, 1994, Priority Records, Thorn EMI; now called The
EMI
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Miami, FL - Seven whites are murdered by the Yahweh Cult whose leader orders the
members to cut off and return the ears of the victims as proof of the murders.
The trial was conducted at the same time as the Rodney King trial!
Lethal Garbage: Anti-White
Rap Lyrics
|
f you are like us,
your exposure to rap or hip-hop “music” may have thus far been limited to
hearing it—at maximum volume—from neighboring automobiles stopped at
traffic lights. While even this much exposure may seem unendurable at
times, we owe it to ourselves to investigate this often hate-filled medium
to see just what these performers and, perhaps most especially, their
well-heeled capitalist record companies have in mind for us. We are
grateful to the
Violently Racist Music website for the list of violent rap and hip-hop
lyrics below, each of them recorded by performers who have earned a Grammy
award, the music industry’s highest honor. We must warn you that the
passages quoted below are not intended for children or the faint-hearted.
|
|
“Kill the
white people; we gonna make them hurt; kill the white people; but buy my
record first; ha, ha, ha”
“Kill d’White People”; Apache,
Apache Ain’t Shit, 1993, Tommy Boy Music, Time Warner, USA.
|
|
“Niggas in the church say: kill whitey all night long. . . . the white man
is the devil. . . . the CRIPS and Bloods are soldiers I’m recruiting with no
dispute; drive-by shooting on this white genetic mutant. . . . let’s go and
kill some rednecks. . . . Menace Clan ain’t afraid. . . . I got the .380;
the homies think I’m crazy because I shot a white baby; I said; I said; I
said: kill whitey all night long. . . . a nigga dumping on your white ass;
fuck this rap shit, nigga, I’m gonna blast. . . . I beat a white boy to the
motherfucking ground”;
“Kill Whitey”; Menace Clan, Da Hood, 1995, Rap-A-Lot Records, Noo Trybe
Records, subsidiaries of what was called Thorn EMI and now is called The EMI
Group, United Kingdom. |
|
“Devils fear this brand new shit. . . . I bleed them next time I see them. .
. . I pray on these devils. . . . look what it has come to; who you gonna
run to when we get to mobbing. . . . filling his body up with lead, yah;
cracker in my way; slitting, slit his throat; watch his body shake; watch
his body shake; that’s how we do it in the motherfucking [San Francisco]
Bay. . . . sitting on the dock of the dirty with my AK”;
“Heat—featuring Jet and Spice 1”; Paris, Unleashed, 1998, Unleashed
Records, Whirling Records. |
|
“These devils make me sick; I love to fill them full of holes; kill them all
in the daytime, broad motherfucking daylight; 12 o’clock, grab the Glock;
why wait for night”
“Sweatin Bullets”; Brand Nubian, Everything Is Everything, 1994, Elektra
Entertainment, Warner Communications, Time Warner, USA.
|
|
“A fight, a
fight, a nigger and a white, if the nigger don’t win then we all jump in. .
. . smoking all [of] America’s white boys”;
“A Fight”; Apache, Apache Ain’t Shit, 1993, Tommy Boy Music, Time Warner,
USA. |
|
“I kill a
devil right now. . . . I say kill whitey all nightey long. . . . I stabbed a
fucking Jew with a steeple. . . . I would kill a cracker for nothing, just
for the fuck of it. . . . Menace Clan kill a cracker; jack ‘em even quicker.
. . . catch that devil slipping; blow his fucking brains out”
“Fuck a Record Deal”; Menace Clan, Da Hood, 1995, Rap-A-Lot Records, Noo
Trybe Records, subsidiaries of Thorn EMI; called The EMI Group since 1997,
United Kingdom. |
|
“Now
I’m black but black people trip [become upset] ‘cause white people like me;
white people like me but don’t like them. . . . I don’t hate whites, I just
gotta death wish for motherfuckers that ain’t right”
“Race War”; Ice-T, Home Invasion, 1993, Priority Records, Thorn EMI; now
called The EMI Group, United Kingdom. |
|
“To all my
Universal Soldier’s: stay at attention while I strategize an invasion; the
mission be ssassination, snipers hitting Caucasians with semi-automatic
shots heard around the world; my plot is to control the globe and hold the
world hostage. . . . see, I got a war plan more deadlier than Hitler. . . .
lyrical specialist, underworld terrorist. . . . keep the unity thick like
mud. . . . I pulling out gats [handguns], launching deadly attacks”
“Blood for Blood”; Killarmy, Silent Weapons for Quiet Wars, 1997, Wu-Tang
Records, Priority Records, The EMI Group, United Kingdom.
|
|
“Lead to the
head of you devils”
“Lick Dem Muthaphuckas—Remix”; Brand Nubian, Everything Is Everything,
1994, Elektra Entertainment, Warner Communications, Time Warner, USA.
|
|
“This will all
be over in ‘99, so, niggas, give devils the crime; gonna be more devils
dying”
“No Surrender”; Bone Thugs-N-Harmony, Creepin on ah Come Up, 1994,
Ruthless Records, Epic Records, Sony Music Entertainment, Sony, Japan.
|
|
“Won’t be
satisfied until the devils—I see them all dead. . . . my brother is sending
me more guns from down South. . . . pale face. . . . it’s all about brothers
rising up, wising up, sizing up our situation. . . . you be fucking with my
turf when you be fucking with my race; now face your maker and take your
last breadth; the time is half-past death. . . . it’s the Armageddon. . . .
go into the garage; find that old camouflage. . . . cracker-shooting
nightly”
“What the Fuck”; Brand Nubian, Everything Is Everything, 1994, Elektra
Entertainment, Warner Communications, Time Warner, USA.
|
|
“.44 ways to
get paid. . . . I’m through with talking to these devils; now I’m ready to
blast”
“44 Wayz—featuring Mystic”; Paris, Unleashed, 1998, Unleashed Records,
Whirling Records. |
|
“Like my
niggas from South Central Los Angeles they found that they couldn’t handle
us; Bloods, CRIPS, on the same squad, with the Essays [Latino gangbangers]
up, and nigga, it’s time to rob and mob and break the white man off
something lovely”
“The Day the Niggaz Took Over”; Dr Dre, The Chronic, 1993, Interscope
Records, under Time Warner in 1993. |
|
“Bust a Glock;
devils get shot. . . . when God give the word me herd like the buffalo
through the neighborhood; watch me blast. . . . I’m killing more crackers
than Bosnia-Herzegovina, each and everyday. . . . don’t bust until you see
the whites of his eyes, the whites of his skin. . . . Louis Farrakhan . . .
Bloods and CRIPS, and little old me, and we all getting ready for the enemy”
“Enemy”; Ice Cube, Lethal Injection, 1993, Priority Records, Thorn EMI;
now called The EMI Group, United Kingdom. |
|
“Devil, to
gangbanging there’s a positive side and the positive side is this—sooner
than later the brothers will come to Islam, and they will be the soldiers
for the war; what war, you ask; Armageddon; ha, ha, ha, ha, ha”
“Armageddon”; RBX, The RBX Files, 1995, Premeditated Records, Warner Brother
Records, Time Warner, USA. |
|
“Subtract the
devils that get smoked. . . . we’re people, black people; steal your mind
back, don’t die in their wilderness. . . . let’s point our heaters
[handguns] the other way”
“Dial 7”; Digable Planets, Blowout Comb, 1994, Pendulum Records, Thorn
EMI; now called The EMI Group, United Kingdom. |
|
“Get
them devil-made guns and leave them demons bleeding; give them back whips,
and just feed them bullets”
“Wicked Ways”; Sunz of Man, One Million Strong: The Album, 1995, Mergela
Records, Solar/Hines Co., Prolific Records. |
|
“It’s time to
send the devil to the essence. . . . this is a must because there ain’t no
reform or trust; you got a Glock and you see a devil, bust. . . . they’ll be
calling us the trigger men, the nappy-knotty red-beard devil-assassin; Lord
make a law; at midnight I’ll be bashing. . . . field niggas [are] locked in
until 2005”
“Field N#gguhz in a Huddle”; Professor Griff, Blood of the Prophet; 1998,
Lethal Records, Mercury Records, PolyGram, Philips’ Electronics NV,
Netherlands. PolyGram merged with Universal Music Group in 1998, the parent
being The Seagram Company of Canada. |
|
“He prays on
old white ladies [who] drive the Mercedes with the windows cracked. . . .
you should’ve heard the bitch screaming. . . . sticking guns in crackers’
mouths. . . . the cops can’t stop it. . . . remember 4-29-92, come on;
Florence and Normandy coming to a corner near you, cracker; we’ve been
through your area, mass hysteria; led by your motherfucking Menace Clan”
“Mad Nigga”; Menace Clan, Da Hood, 1995, Rap-A-Lot Records, Noo Trybe
Records, Time Warner, USA. |
|
“The black man
is god. . . . buy a Tec [and] let loose in the Vatican. . . . I love the
black faces; so put your Bible in the attic”
“Ain’t No Mystery”; Brand Nubian, In God We Trust, 1992, Elektra
Entertainment, Warner Communications, Time Warner, USA.
|
|
“Rhymes is
rugged like burnt buildings in Harlem; the Ol Dirty Bastard. . . . I’m also
militant. . . . snatching devils up by the hair, then cut his head off”
“Cuttin Headz”; Ol Dirty Bastard, Return of the 36 Chambers: the Dirty
Version; 1995, Elektra Entertainment, Time Warner, USA.
|
|
“Listen to
this black visionary, bringing war like a revolutionary. . . . go on a
killing spree, putting devils out their misery; hearing screams, sounds of
agony; my hostility takes over me. . . . camouflaged ninjas avenging”
“Under Seige”; Killarmy, Silent Weapons for Quiet Wars, 1997, Wu-Tang
Records, Priority Records, The EMI Group, United Kingdom.
|
|
“Swing by on
the pale guy. . . . break him in the neck. . . . the guerrilla with the
poison tip. . . . shaking pinky up on a dull-ass ice-pick . . . this is
Lench Mob. . . . devil, what you want to do; when you see the boot, knew
your head is hoohoo “
“King of the Jungle”; Da Lench Mob, Planet of da Apes, 1994, Priority
Records, Thorn EMI; now called The EMI Group, United Kingdom.
|
|
“Dropping
verses, casting curses, throwing these hexes on the devils. . . . respect to
Farrakhan, but I’m the jungle-don, the new guerrilla, top-ranked honky
killer. . . . what do blacks do; they just keep on blowing devils away. . .
. evil fucking cracker. . . . I’m tightening up the laces to my steel-toed
boots, so I can walk, stomp; we stomp this devil down in the park”
“Planet of da Apes”; Da Lench Mob, Planet of da Apes, 1994, Priority
Records, Thorn EMI; now called The EMI Group, United Kingdom.
|
|
“We’re having
thoughts of overthrowing the government. . . . the brothers and sisters
threw their fists in the air. . . . it’s open season on crackers, you know;
the morgue will be full of Caucasian John Doe’s. . . . I make the Riot shit
look like a fairy tale. . . . oh my god, Allah, have mercy; I’m killing them
devils because they’re not worthy to walk the earth with the original black
man; they must be forgetting; it’s time for Armageddon, and I won’t rest
until they’re all dead”
“Goin Bananas”; Da Lench Mob, Planet of da Apes, 1994, Priority Records,
Thorn EMI; now called The EMI Group, United Kingdom. |
|
“The crackers
ain’t shit; chase them out of the jungle; now raise up off the planet. . . .
we get the 12 gauge; shot to the chest. . . . we hitting devils up. . . . Da
Lench Mob, environmental terrorist. . . . I gripped the Glock and had to
knock his head from his shoulders. . . . I got the .30[6] on the rooftop;
pop; pop; so many devils die. . . . make sure I kill them. . . . lynch a
thousand a week if it’s necessary”
“Environmental Terrorist”; Da Lench Mob, Planet of da Apes, 1994,
Priority Records, Thorn EMI; now called The EMI Group, United Kingdom.
|
|
“Like an armed
struggle. . . . I come with the New Wu Order. . . . waging war on the
devils’ community. . . . whipped cardinals and one Pope”
“Universal Soldiers”; Killarmy, Silent Weapons for Quiet Wars, 1997,
Wu-Tang Records, Priority Records, The EMI Group, United Kingdom.
|
|
“Swinging out
of the trees, is the blood-spilling, devil-killing, nappy-headed g.’s. . . .
blacks and Mexicans must take a stand. . . . I’m down with Chico, and not
with the man”
“Set the Shit Straight”; Da Lench Mob, Planet of da Apes, 1994, Priority
Records, Thorn EMI; now called The EMI Group, United Kingdom.
|
|
“Fuck them
laws, because the Mob is coming raw; nigga, is you down because it’s the
Final Call. . . . grab your gat; know the three will start busting; I’m
trying to take them down. . . . the war of wars with no fucking scores. . .
. April 29 was a chance to realize . . . the g.’s are out to kill. . . . we
got crackers to kill; sending them back in on a ship to Europe. . . . they
deserve it. . . . a nation-wide riot across America. . . . this is the Final
Call on black man and black woman, rich and poor; rise up”
“Final Call”; Da Lench Mob, Planet of da Apes, 1994, Priority Records,
Thorn EMI; now called The EMI Group, United Kingdom. |
|
“I come with
the wicked style. . . . I got everybody jumping to the voodoo. . . . I got a
gat and I’m looking out the window like Malcolm. . . . April 29 was power to
the people, and we just might see a sequel”
“Wicked”; Ice Cube, The Predator, 1992, Priority Records, Thorn EMI; now
called The EMI Group, United Kingdom. |
|
“Deal with the
devil with my motherfucking steel [handgun]. . . . white man is something I
tried to study, but I got my hands bloody, yeah. . . . I met Farrakhan and
had dinner”
“When Will They Shoot”; Ice Cube, The Predator, 1992, Priority Records,
Thorn EMI; now called The EMI Group, United Kingdom. |
|
“Actual fact
you need to be black. . . . everyday I fight a devil. . . . I grab a shovel
to bury a devil. . . . the battle with the beast, Mr. 666. . . . my mind
rolled to a 7th level; grab my bazooka and nuke a devil. . . . with black, I
build; for black, I kill”
“Fightin the Devil”; RBX, The RBX Files, 1995, Premeditated Records,
Warner Brother Records, Time Warner, USA. |
|
“I pledge
allegiance to only the black. . . . black, you had best prepare for the
coming of war. . . . look at you devil; now you’re sweating; I’m telling
you: you can’t run from the hand of Armageddon. . . . he eats his pig-steak
rare so he can taste the blood”
“No Time”; RBX, The RBX Files, 1995, Premeditated Records, Warner Brother
Records, Time Warner, USA. |
|
“Killing
devils [and] scatter they ashes over the sea of Mediterranean. . . . open
your eyes to the revolution. . . . unite with the black coalition”
“Wake Up”; Killarmy, Silent Weapons for Quiet Wars, 1997, Wu-Tang
Records, Priority Records, The EMI Group, United Kingdom.
|
|
“My own kind
blind, brain-trained on the devil-level. . . . chasing down loot, Dole or
Newt, who do you shoot. . . . rough stuff to the babies, spread like rabies”
“Niggativity . . . Do I Dare Disturb the Universe”; Chuck D,
Autobiography of MistaChuck, 1996, Mercury Records, PolyGram, Philips’
Electronics NV, Netherlands. PolyGram merged within Universal Music Group in
1998, the parent being The Seagram Company, Canada. |
|
“Buck the
devil; boom. . . . shoot you with my .22; I got plenty of crew; I take out
white boys. . . . we got big toys with the one-mile scope, taking whitey’s
throat”
“Buck tha Devil”; Da Lench Mob, Guerrillas in tha Mist, 1992, Eastwest
Records America, Elektra, Atlantic, Time Warner, USA.
|
|
“Little devils
don’t go to heaven. . . . the AK forty . . . hold a fifty clip, and I’ll
shoot until it’s empty. . . . I’m killing only seven million civilians. . .
. one dead devil”
“Freedom Got an AK”; Da Lench Mob, Guerrillas in tha Mist, 1992, Eastwest
Records America, Elektra, Atlantic, Time Warner, USA.
|
|
“Grab your
deep-ass crews. . . . we gotta make them ends, even if it means Jack and
friends. . . . now you’re doomed, hollow-points to the dome; once again it’s
on. . . . out comes my .22. . . . I’m the cut-throat; now I got to cut you .
. . ‘94 is the season for lynching; from out of the dark is the South
Central g., ready-hand steady on a bloody machete. . . . a devil is on my
shoulder; should I kill it; hell yah. . . . I slice Jack. . . . took an axe,
and gave that bitch, Jill, forty wacks. . . . with my hip hop . . . it don’t
stop, until heads roll off the cutting block”
“Cut Throats”; Da Lench Mob, Planet of da Apes, 1994, Priority Records,
Thorn EMI; now called The EMI Group, United Kingdom. |
|
“A young
fugitive soldier. . . . soon to make the devil kneel”
“Not Promised Tomorrow”; Sunz of Man, Sunz of Man: The Last Shall Be
First, 1998, Threat Records, Wu-Tang Records, Red Ant Entertainment, BMG
Distribution, BMG
Entertainment, Bertelsmann AG of Germany. |
|
“Camouflaged for the mission. . . . become Bonnie and Clyde; carry .45’s in
these last days. . . . an original black man with a plan to run these devils
off our motherfucking land. . . . the Sunz of Man war track. . . . kept gun
in hand, stalking the land”
“Can I See You”; Sunz of Man, Sunz of Man: The Last Shall Be First, 1998,
Threat Records, Wu-Tang Records, Red Ant Entertainment, BMG Distribution,
BMG Entertainment,
Bertelsmann, Germany. |
|
“I
may die in the scuffle but I’m taking forty devils”
“The City”; Wu-Tang Clan, Wu-Tang Forever, 1997, Loud Records, Wu-Tang
Productions, RCA Records, BMG Distribution, BMG Entertainment, Bertelsmann,
Germany. |
|
“Roping
up the devils, have them hanging from my testicles”
“Nowhere To Run”; Gravediggaz, 6 Feet Deep, 1997 reissue of a 1994 album,
Gee Street Records, BMG Distribution, BMG Entertainment, Bertelsmann AG,
Germany. |
“Devils get baked. . . .
devils are all defeated. . . . breaking devils down”
“Blood Brothers”; Gravediggaz, 6 Feet Deep, 1997 reissue of a 1994 album,
Gee Street Records, BMG Distribution, BMG Entertainment, Bertelsmann AG,
Germany. |
“I love black women and
I hate fucking crackers. . . . I destroyed a whole city like Sodom and
Gomorrah or Babylon. . . . devils choke from the gunsmoke. . . . I’m
swelling devils’ melons. . . . send your asses to Kings County; solo
pro-morgue supplier”
“Graveyard Chamber”; Gravediggaz, 6 Feet Deep, 1997 reissue of a 1994
album, Gee Street Records, BMG Distribution, BMG Entertainment, Bertelsmann
AG, Germany. |
|
“I’m hanging
devils’ heads on a evergreen bush”
“Dangerous Mindz”; Gravediggaz, The Pick The Sickle and The Shovel, 1997,
Gee Street Records, BMG Distribution, BMG Entertainment, Bertelsmann,
Germany. |
|
“Cloud, which
means to overshadow the other man, mess up his game plan. . . . South Park
Black Panther coming at last. . . . I need more brothers to roll over the
government. . . . I got the nine [millimeter pistol], the mind, and the time
to unwind new-school pro-black dope [great] rhymes. . . . there’s 10,000 of
us; how you gonna stop this bum-rush, fool. . . . talk is cheap; you best
believe that, black; actions speak louder than words, and that’s a fact”
“Cloud on Suckas”; The Terrorists, Terror Strikes: Always Bizness Never
Personal, 1991, Rap-A-Lot Records, Priority Records, Thorn EMI, United
Kingdom. Rap-A-Lot Records was owned by Virgin Records for about four years
before 1999, when it joined back with Priority. Thorn EMI changed its name
in 1998 to EMI Group. |
|
“I’m black
with a bat, swinging at the head of a honky. . . . The Terrorists about to
murder your ass”
“Blow Dem Hoes Up”; The Terrorists, Terror Strikes: Always Bizness Never
Personal, 1991, Rap-A-Lot Records, Priority Records, Thorn EMI, United
Kingdom. |
|
“Squeeze your
nostrils tight and gag your mouth with a Bud Light; peace to all the blacks.
. . . The Terrorists kicking political rough shit and we won’t quit until
the other man’s throat slit from one ear to the other”
“Bomb Threat”; The Terrorists, Terror Strikes: Always Bizness Never
Personal, 1991, Rap-A-Lot Records, Priority Records, Thorn EMI, United
Kingdom. |
|
“A fight, a
nigger and a white, if the nigger don’t win then we all jump in”
“Ghetto Mentalitee”; Onyx, All We Got Iz Us, 1995, Rush Associated Labels
Recordings, PolyGram Group Distribution, Philips’ Elecronics, Netherlands.
|
|
“Waiting for
the crackers; smuggle; his mug is in the gutters. . . . so we need your
participation in the Caucasian assassination; time is wasting. . . . so who
is in association with the nigger retaliation; it needs your total
cooperation. . . . a confrontation will be fought by the younger generation;
because we got determination; all we need is organization”
“Purse Snatchers”; Onyx, All We Got Iz Us, 1995, Rush Associated Labels
Recordings, PolyGram Group Distribution, Philips’ Elecronics, Netherlands.
|
|
“The real
black army is in jail. . . . come on my fellow prisoners, time to go to war.
. . . what we need to do is point the guns in the right direction, aha. . .
. me and my piece came to claim the brown man’s cut. . . . infiltrate until
it burns down. . . . what we need to be talking about is what we gonna do to
them; I’ll get revenge if it’s the last thing I do. . . . they got us
brainwashed to be the minority, but when we kill them off we gonna be the
majority. . . . if the whites speak up, then I’ll lead my people, because
two wrongs don’t make it right but it damn sure make us equal; I’m inciting
riots, so let’s start the looting. . . . in this revolution I loathe my
enemy”
“2 Wrongs”; Onyx, All We Got Iz Us, 1995, Rush Associated Labels
Recordings, PolyGram Group Distribution, Philips’ Elecronics, Netherlands.
|
Exterminating White People
By Selwyn Duke

Hate-Mongering by Kamau Kambon
Duke takes O'Reilly to task here for not asking the tough questions (beautifully
dubbing his show, The "no-depth" Zone). Anyways, this is a summary of Kambon's
hate-mongering. Incidentally, Kamau is against the death penalty which is kind
of ironic.
Exterminating White People
By Selwyn Duke
I’ve long believed that there’s only one difference between Adolf Hitler and
some of the misbegotten souls who lurk among us: means. I don’t know that I
subscribe to the notion that power corrupts, but I do know that it releases
inhibitions, causing one’s true colors to shine through.
Inhibitions, however, don’t seem to bedevil one Dr. Kamau Kambon. The Raleigh
activist, book store owner, and former instructor at North Carolina State
University advocated the “extermination of white people” while speaking at a
Pro-black Media Forum at Howard Law School, in an event that was covered in its
entirety by C-SPAN.
This esteemed molder of young minds contended that whites have an “international
plantation” for blacks, making “every white person on earth a plantation
master.” He continued, “You’re either supporting white people in their process
of death, or you’re for African liberation.”
Kambon expanded upon the transgressions of white devils and emphatically
promulgated a solution, saying,
...(white people) have retina scans, they have what they call racial profiling,
DNA banks, and they’re monitoring our people to try to prevent the one person
from coming up with the one idea. And the one idea is, how we are going to
exterminate white people because that in my estimation is the only conclusion I
have come to. We have to exterminate white people off the face of the planet to
solve this problem.
Then, waxing particularly passionate he stated,
“White people want to kill us. I want you to understand that. They want to kill
you. They want to kill you because that is part of their plan.”
The cherry on top of his demagoguery was when he entreated the audience to
“get very serious and not be diverted from coming up with a solution to the
problem, and the problem on the planet is white people.”
Would this be the “Final Solution”?
I might add that while most in attendance did not applaud the recommendation of
genocide, there was some noticeable clapping.
One ironic aspect of this story is that it arrives on the heels of a piece I
just wrote that dealt partially with the West’s increasing inclination to
criminalize “hate-speech.” Of course, you won’t find this scribe playing the
hypocrite and calling for the muzzling of this sick puppy, for, the last mistake
I want to make is to empower Uncle Scam to censor discourse. I would, though,
like to see Kambon suffer the scorn and ostracism that should be a consequence
of such hate-mongering. But, given my instinct for self-preservation, I won’t
hold my breath waiting.
In my view, however, the real villains here aren’t the loathsome Kambon and his
acolytes, but those university administrators and effluent-stream media talking
heads who enable them through their mistakes of commission and omission. After
all, there will always be nuts around, but the media is supposed to be a
watchdog. Where is the outrage and copious coverage of remarks that, if uttered
by a white man about black folks, would result in excoriation in the press and
persona non grata status at future college events? The relative silence is
deafening. For sure, if the effluent-stream media is a watchdog, it’s mighty
well trained. It only sics those who have skin that’s light or views on the
right.
For instance, contrast the treatment of this story with the recent tempest
surrounding Bill Bennett’s much-derided comments. For those who don’t know,
Bennett was in the midst of addressing the notion that legalized abortion
reduces crime and endeavored to make the point that the end doesn’t justify the
means. So he put forth a hypothetical: “if you wanted to reduce crime, you could
– if that were your sole purpose – you could abort every black baby in this
country, and your crime rate would go down.” Bennett immediately dismissed the
idea as “an impossible, ridiculous and morally reprehensible thing to do,” while
reiterating, “your crime rate would go down.” For daring to get to the heart of
an issue with intellectual honesty and incisive argument, Bennett was rewarded
by being decried as a bigot by the most scurrilous of character assassins. Of
course, Bennett is an infinitely more prominent man, but that has to be at least
equalized by Kambon’s infinitely more egregious remarks.
So, using a hypothetical involving racial-genocide while expressing disgust for
the idea makes one a pariah, but wholesale advocacy of racial-genocide while
spewing venom is met with indifference? Why the grossly unfair treatment?
We know why: the watchdog’s training.
One person who did showcase this story was Bill O’Reilly, the irascible
progenitor of the “No-Spin Zone.” Unfortunately, his treatment of the subject
left me with the impression that a better moniker for his show would be the
“No-Depth Zone.”
In O’Reilly’s October 26 segment about Kambon, the pundit interviewed the
organizer of the Pro-black Media Forum, radio talk-show host Opio Sokoni. When
asked to respond to Kambon’s acid-tongued rhetoric, the most Sokoni could muster
was that he thought the comments “were unproductive.” To this, O’Reilly, who is
seldom loath to express moral outrage, stated quite soberly, “I think you used
the right word when you said ‘unproductive.’” Really, O’Reilly?
Now, call me old-fashioned, but in my book “unproductive” is when your child
tries to do his homework between station breaks. But a man sounding a clarion
call for the extermination of a race? Propriety must demand adjectives such as
evil, wicked, genocidal, maniacal and psychopathic. C’mon, Bill, “unproductive”
didn’t strike you as just, oh, let’s say, a tad lukewarm? I think it’s the
understatement of the year.
I also have to ask, if a white man had encouraged the genocide of blacks, would
O’Reilly be persuaded that “unproductive” was sufficient denunciation?
Truth be known, it was poor interviewing. I, for one, would like to know what
Mr. Sokoni meant by “unproductive,” a word that could pertain to many different
implications of an action. Is it that he doesn’t think it’s a bad idea, but it
doesn’t serve his cause to voice such sentiments at the present time? Unfair
question, say you? I beg to differ. Sokoni equivocated, using what sounded like
a codeword and refusing to damn the damnable. Equally troubling was the flatline,
dispassionate tone in which Sokoni made his remarks – it certainly didn’t
bespeak of outrage. And remember, if you want to know what a person wants you to
believe he believes, listen to what he says. If you want to know what a person
believes, listen to how he says it.
Moreover, O’Reilly refused to pick up the ball when Sokoni started to demonize
white people. While defending his extension of an invitation to Kambon, Sokoni
shrugged off the matter by saying that Kambon has no history of genocidal
violence, unlike white people. Sokoni mentioned, “…a history that white people
have had of not talking, but doing.” He also said, “Black people are not that
way.”
Well, well, have you, Mr. Sokoni, ever heard of the Hutus and the Tutsis? You
know, that little 1994 event in Ruanda in which Hutu militias slaughtered almost
800,000 Tutsis, who, by the way, were called “roaches” by the Hutus. Maybe I
have to brush up on my contemporary history, but I could have sworn the Hutus
were black.
But from media double-standards to higher miseducation’s low ones, there is
something positive here in that I learned that Kamau Kambon had actually been
fired by North Carolina State University. So, I’m now more closely attuned to
the pulse of academia, as I now have a closer bead on the point at which a
radical left-wing professor can be ousted from his position. It lies somewhere
between likening World Trade Center victims to Nazis and advocating the
worldwide genocide of a whole race of people..
The
Race War of Black Against White
by Paul
Sheehan
from the Sydney Morning Herald May 20, 1995
The longest war America has
ever fought is the Dirty War, and it is not over. It has lasted 30 years so far
and claimed more than 25 million victims. It has cost almost as many lives as
the Vietnam War. It determined the result of last year’s congressional
election. Yet the American news media do not want to talk about the Dirty War,
which remains between the lines and unreported. In fact, to even suggest that
the war exists is to be discredited. So let’s start suggesting, immediately.
No matter how the crime
figures are massaged by those who want to acknowledge or dispute the existence
of a Dirty War, there is nothing ambiguous about what the official statistics
portray: for the past 30 years a large segment of black America has waged a war
of violent retribution against white America. And the problem is getting worse,
not better. In the past 20 years, violent crime has increased more than four
times faster than the population. Young blacks (under 18) are more violent than
previous generations and are 12 times more likely to be arrested for murder than
young whites. Nearly all the following figures, which speak for themselves, have
not been reported in America:
* According to the latest US
Department of Justice survey of crime victims, more than 6.6 million violent
crimes (murder, rape, assault and robbery) are committed in the US each year, of
which about 20 per cent, or 1.3 million, are inter-racial crimes.
* Most victims of race crime
- about 90 per cent - are white, according to the survey "Highlights from
20 Years of Surveying Crime Victims", published in 1993.
* Almost 1 million white
Americans were murdered, robbed, assaulted or raped by black Americans in 1992,
compared with about 132,000 blacks who were murdered, robbed, assaulted or raped
by whites, according to the same survey.
* Blacks thus committed 7.5
times more violent inter-racial crimes than whites even though the black
population is only one-seventh the size of the white population. When these
figures are adjusted on a per capita basis, they reveal an extraordinary
disparity: blacks are committing more than 50 times the number of violent racial
crimes of whites.
* According to the latest
annual report on murder by the Federal Bureau of Investigation, most
inter-racial murders involve black assailants and white victims, with blacks
murdering whites at 18 times the rate that whites murder blacks.
These breathtaking
disparities began to emerge in the mid-1960’s, when there was a sharp increase
in black crime against whites, an upsurge which, not coincidentally, corresponds
exactly with the beginning of the modern civil rights movement. Over time, the
cumulative effect has been staggering. Justice Department and FBI statistics
indicate that between 1964 and 1994 more than 25 million violent inter-racial
crimes were committed, overwhelmingly involving black offenders and white
victims, and more than 45,000 people were killed in inter-racial murders. By
comparisons 58,000 Americans died in Vietnam, and 34,000 were killed in the
Korean war. When non-violent crimes (burglary, larceny, car theft and personal
theft) are included, the cumulative totals become prodigious. The Bureau of
Justice Statistics says 27 million non-violent crimes were committed in the US
in 1992, and the survey found that 31 per cent of the robberies involved black
offenders and white victims (while only 2 per cent in the reverse).
When all the crime figures
are calculated, it appears that black Americans have committed at least 170
million crimes against white Americans in the past 30 years. It is the great
defining disaster of American life and American ideals since World War II. All
these are facts, yet by simply writing this story, by assembling the facts in
this way, I would be deemed a racist by the American news media. It prefers to
maintain a paternalistic double-standard in its coverage of black America, a
lower standard.
Pictures of Nikki Giovanni added by Gnostic Liberation Front
Cho’s Professor
Nikki Giovanni:
Teaching Hate At Virginia
Tech
VDARE.COM -
http://www.vdare.com/sailer/070422_giovanni.htm
April 22, 2007
By
Steve Sailer
Ever since
South
Korean immigrant Cho Seung-hui gunned down
32 people at Virginia Tech,
there has been much comment that the university should have realized just from
his two
hate-filled and inept
plays that the senior English major was a
dangerous creep who
needed to be taken away.
For a playwrighting class, Cho
penned
Mr. Brownstone and
Richard McBeef
(which, despite the Macbethian title, is a Hamlet-knock off about
a young hero's lethal conflict with the new stepfather who murdered his real
father).
Richard McBeef includes
such sterling
dialogue as:
"I hate
him. Must kill Dick. Must kill Dick. Dick must die. Kill Dick."
Many have asked:
"How could the
English Department not
recognize the horrific implications of these works?"
No one who wonders that, however,
is familiar with the poetic oeuvre of one of Cho's own teachers, Virginia
Tech's Distinguished Professor of English and
Black Studies, Nikki Giovanni (for her website,
click
here).
Among the most celebrated figures
of the
Black Arts Movement of
the 1960s and recipient of
21
honorary degrees, Giovanni has published poems
strikingly similar to Cho's plays in both vileness and incompetence. For
example:
The True Import of Present Dialog, Black vs. Negro,
by Nikki Giovanni
Ni**er
Can you kill
Can you kill
Can a ni**er kill
Can a ni**er kill a honkie
Can a ni**er kill the Man
Can you kill ni**er
Huh? Ni**er can you
kill
Do you know how to draw blood
Can you poison
Can you stab-a-Jew
Can you kill huh? Ni**er
Can you kill
Can you run a
protestant down with your
‘68
El Dorado
(that’s all they’re good for anyway)
Can you kill
Can you piss on a blond head
Can you
cut it off
Can you kill
A ni**er can die
We ain’t got to prove we can die
We got to prove we can kill
[More]
Ironically, the author of these
lines was asked to deliver the
closing remarks at
Virginia Tech's convocation memorializing
the
32 slaughtered by Cho. For some reason,
Giovanni didn't read The True Import.
The above poem is not an isolated
example.
Cho's old professor has
had, for example, a Molotov cocktail
obsession:
Also a company called Revolution has just issued
A special kit for little boys
Called
Burn Baby
I’m told it has full instructions on how to siphon gas
And fill a bottle
And, then there's
this:
and it occurred to me
maybe i shouldn't write
at all
but
clean my gun
and check my
kerosene supply
She switched themes from
kill-the-honkies to
confessional self-obsession
as the market for up-against-the-wall poetry dried up at the end of the 1960s,
and now laughs off questions about her Cho-like early work.
Still, in 1997 the poetess had
"Thug Life" tattooed
on her arm to honor slain
gangsta
rapper Tupac Shakur, who was
gunned down in a
long-running fatal feud with other rappers.
Wikipedia explains, with deadpan irony:
"She
has
stated that she would
'rather be with the thugs than the people who are complaining about them.' She
also tours nationwide and frequently speaks out against
hate-motivated violence."
Giovanni also writes prose:
RACISM 101;
Giovanni, Nikki; $20.00; This book indicts higher education for the
inequities it perpetuates, contemplates the legacy of the 60's, provides a
survival guide for black students on predominately white campuses, and denounces
Spike Lee while offering her own ideas for a
film about Malcolm X. [From a list of "Books
On The African American LGB Experience"]
She also has composed
bon mots, such as:
"A
white face goes with a white mind. Occasionally a black face
goes with a white mind. Very seldom a white
face will have
a black mind."
And then there's her
insight, "The honkie's
whole sex thing is tied up to land."
As an anonymous commenter
rhetorically asked on my
blog:
"I
wonder
how many times Cho heard
the phrase 'white privilege' while he was
in college?"
(Click
here to see how often the
term appears in the Virginia Tech website).
Giovanni is one of those
sub-doggerel "poets" who has such Important Things to say that she can't
be bothered to take the
time to say them well. As
she herself admitted to
Brian Lamb on C-SPAN's
Booknotes,
"I'm not a
very good rhymer."
When she
tries, it comes out like
Cole Porter gone gaga:
if it's
gum we can chew it
I hope it's love so we can do it
Perhaps her
best-known poem is
Ego
Tripping (there may be a reason why),
a slab of Afrocentrist drivel from 1973:
I
was born in the Congo.
I walked to the Fertile Crescent and built the
sphinx.
I
designed a pyramid so
tough that a star that only glows every one hundred years falls into the center
giving divine perfect light.
I am bad.
Indeed.
Of course, Professor Giovanni, an
elderly lady of 63, is not personally a danger to other people, no matter how
bloodthirsty some of her poems are.
(What impact she has had over the years
on earnest, impressionable young people might be a different question, however.)
Instead, she is a minimally
talented self-promoter who has exploited various
ideological fads over the
decades, such as black radicalism,
feminism, and
Afrocentrism, to secure
herself a comfy sinecure at Virginia Tech and to spend her spare time traveling
around to hear herself be praised. Her own website lovingly lists 124 "Awards
and Honors"
she has garnered.
Giovanni's fee for a personal
appearance runs from
$5,000 to $10,000. That's
pocket lint compared to the
$40,000+ demanded by Maya
Angelou (who is
ensconced down the road
from public Virginia Tech at posh private Wake Forest), but it's a living.
Giovanni [email
her] is a small town version of
New
York City charlatan
Al Sharpton, You might
think that the ringmaster of the 1987
Tawana Brawley hoax whose
racist
rhetoric helped incite the
Crown Heights pogrom of
1991 and the
Freddie's Fashion Mart
mass murder of
1995 might, like
Don Imus, have talked
himself out of a job by now.
And, yet, Sharpton not only
endures, but prospers—elbowing his way back into the spotlights as the
moral arbiter at the
center of the recent Imus brouhaha.
Being a race hustler apparently means
never having to say you're sorry.
[Steve Sailer [email
him] is founder of the Human Biodiversity Institute and
movie
critic
for
The American Conservative.
His website
www.iSteve.com
features his daily blog.]
Copyright © 1999 - 2007
VDARE.com
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