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MEDIA
BRAINWASHING
Americans Target Of Largest Media Brainwashing Campaign In History
CONTROLLED NEWS
The remarks were
apparently made by Swinton, then the preeminent New York journalist, probably
one night in 1880. Swinton was the guest of honour at a banquet given him by the
leaders of his craft. Someone who knew neither the press nor Swinton offered a
toast to the independent press. Swinton outraged his colleagues by replying:
There is no such
thing, at this date of the world's history, in America, as an independent
press. You know it and I know it.
There is not one of
you who dares to write your honest opinions, and if you did, you know
beforehand that it would never appear in print. I am paid weekly for keeping
my honest opinion out of the paper I am connected with. Others of you are paid
similar salaries for similar things, and any of you who would be so foolish as
to write honest opinions would be out on the streets looking for another job.
If I allowed my honest opinions to appear in one issue of my paper, before
twenty-four hours my occupation would be gone.
The business of the
journalists is to destroy the truth, to lie outright, to pervert, to vilify,
to fawn at the feet of mammon, and to sell his country and his race for his
daily bread. You know it and I know it, and what folly is this toasting an
independent press?
We are the tools and
vassals of rich men behind the scenes. We are the jumping jacks, they pull the
strings and we dance. Our talents, our possibilities and our lives are all the
property of other men. We are intellectual prostitutes.
(Source: Labor's
Untold Story, by Richard O. Boyer and Herbert M. Morais, published by
United Electrical, Radio & Machine Workers of America, NY, 1955/1979.)
Richard M.
Cohen, Senior Producer of CBS political news, stated:
"We
are going to impose our agenda on the coverage by dealing with issues and
subjects that we choose."
Richard Salant,
former President of CBS News:
"Our job is
to give people not what they want, but what we decide they ought to have."
Super Zionist Wolf Blitzer Blasts David Duke on CNN
David Duke analyzes the CNN story and uses it to show how Zionists bias the news
Americans
Target Of Largest Media Brainwashing Campaign In History
By Lonnie Wolfe
World
Entertainment War "Intelligence Report: How To See Through
Advertising"
COUNTER-ADVERTISING
AND ITS EFFECT ON CYBER-MEDIA By
Jennifer Berdock
Propaganda
for the Masses: Reflections on Hitler's use of Emotions in Order to Manipulate
Reason and Public Opinion. Part One. By Rick Smith Oct. 4, 2001
Propaganda,
American-Style by Noam Chomsky
Celluloid
Heroes: Part I or:
You Can See All the Blood as You Walk Down Hollywood Boulevard?
Celluloid
Heroes: Part II or: The Tangled Web of Charlie Manson
Celluloid
Heroes: Part II or: The Tangled Web of Charlie Manson Continued
MEDIA
ADVISORY: Pentagon Propaganda Plan Is Undemocratic, Possibly Illegal
Super Zionist Wolf Blitzer Blasts
David Duke on CNN
David Duke analyzes
the CNN story and uses it to show how Zionists bias the news
By David Duke
Here is a clear display of
Zionist media bias. Former Representative David Duke is my proper and
appropriate title. Robert Byrd is not captioned as "Former Klansman Robert
Byrd." George W. Bush is not captioned as "Former coke head George Bush." And as
far as "Blasts U.S." is concerned, nothing could be further from the truth. In
actual fact, I defended the American people in Syria, gave Syrians a good image
of Americans and blasted Israel as the true terrorist nation who has made
terrorist attacks against America.
Extreme Zionist and Jewish
Supremacist, Wolf Blitzer, attacks my trip to Syria on CNN and calls me a White
supremacist and "wanna be politician. "
Wow, he is really reaching
isn't he? Jewish supremacists are of course the real supremacists. I denounce
racial, ethnic, or religious supremacism. I Believe in the right of all people
and all nations to run their own affairs and preserve their own heritage. Such a
belief is the opposite of racial supremacism. It is the Zionists who are trying
to control the policies of other nations! As usual, they accuse everyone else of
what they themselves are doing! For new readers of
www.davidduke.com , please
read my book, "Jewish Supremacism", I have a mountain of quotes from mainstream
Jewish sources to prove that they are the world's ultimate supremacists.
As for that statement that I am
a "wanna be politician," What a cheap shot. I wouldn't say that someone who has
been elected to two different public offices and who received a majority of the
European American vote in major campaigns for U.S. Senate and Governor as well
as higher vote totals in Presidential primaries than did many sitting U.S.
Senators -- is a "wanna be politician." Actually they are incorrect for another
reason in calling me a "wanna be politician." I would like to think that I am
far more of a statesman in the tradition of the American republic as I have
never sacrificed my honor for political gain as most politicians who sell out
everything to get elected. I could have said what is popular and perhaps been a
Bill Clinton, but I chose instead to tell the whole truth and be David Duke! A
politician is perceived as someone who simply wants to be elected; I am someone
who has a Cause and uses politics to advance it.
CNN also labels me a former
Klansman, but somehow the media doesn't label George Bush as “former cokehead
George Bush,” or Teddy Kennedy as "hero of Chappaquiddick" or Sen. Robert Byrd
as "former Klansman" or some of the members of the Black caucus as "former Black
Panthers," though all of that is undeniably true. They don’t call Ariel Sharon,
“Butcher of Beirut” or Nelson Mandela, “former terrorist.” They make sure never
to give my proper title of Dr. David Duke, as they almost always give the "Dr."
title in discussing Dr. Martin Luther King. Yet, by any standard, my doctoral
degree is at least as legitimate as his. When they don't like you they can pull
out all the stops.
Also notice the dig at me in
the end, criticizing the Media in the Mideast for not calling me a former
Klansman, white supremacist, or tax offender.
Could you imagine them ending a
news piece on Bush saying:
"The media in Britain didn't
mention the fact that Bush once was a habitual user of cocaine."
Or... "The media there didn't
point out that Bush, who lied American soldiers into war, himself avoided Viet
Nam with a cushy job back home. " Or...
“The media didn't mention that
George Bush has authorized mass torture of suspects and stripping away of
fundamental American rights with the Patriot Act."
Get the picture?
Such is the power of our
Jewish-dominated media. But, now through my response you can see how they
manipulate the American people.
In addition, they even try to
bias their watchers by their caption in the news report.
"Former Klansman Blasts U.S."
In fact, I never blasted the
U.S. I repeatedly stated in every public appearance that I was an American
Patriot, even an American Partisan. That the American people don’t want war and
want friendship with all and that it is only the Zionists and their servants who
want war and therefore must, with lies, manipulate the American people to war.
I pointed out that the ONLY
Mideast nation that has made terroristic attacks upon America was Israel. Israel
made terroristic firebomb attacks against American installations in Egypt in the
Lavon Affair and the surprise, murderous attack on the USS Liberty. Israel
recently awarded and called heroes the Jewish terrorists who attacked American
facilities in Egypt.
I also pointed out that there
have been no agents of Mideast governments convicted of major spying against the
U.S. and doing great damage to the U.S. while Israel lauds the spy who so harmed
America, Jonathan Pollard. I pointed out the current espionage cases involving
AIPAC (The American Israel Public Affairs Committee). I pointed out the terrible
harm done to America and the Mideast in the Iraq War, a war orchestrated by the
Neocons for the benefit of Israel.
In reporting my trip to Syria,
it was generally accepted by everyone who heard me speak that it helped lessen
anti-American feeling in the Mideast, by showing that the American people, as
compared to the Zionist-controlled politicians, want friendship and peace with
the world.
Here are some quotes by an
article published in Syria.
Dr. David Duke Improves
American Image in the Entire Arab World
SGT Damascus – translated by
gmt international
Officials in the Syrian Public
Relations Association say that Dr. David Duke, a former member of the House of
Representatives in Louisiana, has dramatically improved the view of the Syrian
people and the entire Arabic Middle East toward Americans.
An antique dealer in the Old
City of Damascus said, “Dr. David Duke made me realize that the American people
are quite different than the Jewish extremist Neocons who now control American
foreign policy.”
Jameel, a coed student at the
University of Damascus said that she now realizes more clearly that in some ways
America is occupied much like parts of Syria such as the Golan Heights. Here,
the Jewish supremacists do it with guns. In America they do it through media
control and political bribery. We are all victims of the same problem.”
Dr. Habash, one of the major
leaders in the Syrian Parliament said,
“Dr. David Duke’s wonderful
visit has given us a new and very positive view of the average American. Syria
has never in anyway harmed the American people. Israel has committed terrorist
attacks against America both in the Lavon Incident and the attack on the
American Ship the Liberty when 34 Americans were killed and 173 Americans were
scarred and burned in a terrorist attack by Israel. Syria has never spied on
America or harmed America as did Israeli government spy Jonathan Pollard. It is
Israel that is America’s real enemy as Parliamentarian David Duke has proven.”
The Grand Mufti of Syria, the
respected and preeminent Syrian religious leader, welcomed Dr. David Duke and
thanked him for bringing Syria the true feelings of the American people. He
said,
“The Iraq War has resulted in
not only the harming of many thousands of Iraqis but also thousands of Americans
dead and many thousands of Americans hurt. For what is this war but, as Dr. Duke
has shown, a war for Israel in which both Arabs and Americans have been harmed?
Thank you, Dr. Duke for your courage in bringing us this message of peace and of
friendship. My God’s peace and love be upon both our peoples.”
</strong></blockquote>
A professor of history at
Damascus State University commented,
‘The Zionists now lie about Dr.
David Duke and label him a White supremacist. The truth is, as Dr. Duke has
shown in his book, <em>Jewish Supremacism</em>, that Israel is the most extreme
example of racist supremacy on earth.”
“We researched Dr. Duke’s
writings, some of which go back now over 30 years. We found that he wants to
preserve his European heritage and traditions just as we Arab Muslims seek the
same for our own countries. We respect him for that as he respects us.”
“A supremacist wants to control
other peoples. That is exactly what the Zionists want, to control other peoples,
the Middle East, the world. Jewish extremists always accuse everyone else of
their own faults. For over 30 years Dr. Duke has consistently defended
Palestinians and Arabs in general from Zionist attacks. We are honored to have
him visit us in Syria.”
But the admission that the
entire Mideast Media was completely supportive of my visit and uttered not a
negative word – that they just simply reported the news as it happened, should
offer a lot encouragement to us. For if the media in these countries is free of
Jewish extremist control, think of the opportunities we have to educate hundreds
of millions of people on the real dangers of Jewish supremacism, something that
will certainly rebound back into European-American countries. Many world
scholars, leaders, media personalities are beginning to express the ideas and
facts found in my books.
Read "Jewish Supremacism"
again, read the last two chapters on Jewish led immigration policies and the
Jewish world-wide threat. If this becomes common knowledge across the world a
great blow will have been struck not only in the battle of these independent
nations against Jewish supremacy, but also in our own homelands.
The world is changing my
friends!
The leading journalist in the
Mideast said,
"Israel has always wanted to
deflect anger from themselves to America and others. Dr. Duke’s presence focuses
attention on the true danger to both European-Americans and Arabs -- Jewish
Extremism.”
“David Duke’s message here
makes all Americans wherever they are sleep safer and easier. His exemplary
courage in speaking out against Zionism has done more for the American image in
the Arab world than any other American I can name. And his book, "Jewish
Supremacism" is by far the best book on the subject from either an Arab or
Occidental source. If American foreign policy wasn't run by Israeli partisans,
they would appoint him as America’s ambassador at large to heal the
anti-American sentiment growing around the world.”
Of course, the Jewish
supremacists don’t want the anger of the people of the Mideast be directed away
from America to where it rightfully belongs: the Jewish supremacist State of
Israel and their Partisans who have so much influence in American and European
media and government.
The Zionists at CNN such as
Wolf Blitzer would much rather see Americans suffer from violent attacks rather
than Israel. In fact, they routinely cover up the mischief and damage Israel
does to America. For instance they lie and say, “We are so thankful for Israel,
our only friend in the Mideast.” The damning truth is that before America became
manipulated to support Israel America had NOT EVEN ONE ENEMY IN THE MIDEAST.
And, what kind of friend of
America commits terrorist acts against us, spies on us, and leads us into
bloody, expensive wars not in our true interests?
So the Wolf Blitzer, CNN report
by a pro-Israel extremist has inadvertently revealed the biased reporting that I
speak about every day.
I did not blast the United
States. I love my country unlike the Jewish supremacists who will harm my
country for the sake of Israel.
I did not blast the United
States. I blasted the traitors who send Americans to die or be maimed for Jewish
Neocon lies rather than for the true interests and security of America.
I did not blast the United
States. I spoke the truth that it is not just the Golan Heights or Palestine
that is occupied by the Zionist extremists, they also occupy far too much of the
American media and far too much of the American government.
---David Duke
Here is the link to the CNN
VIDEO story for your enjoyment and edification!
http://www.davidduke.com/mp3/cnn-dukeinsyria.wmv .
Americans
Target Of Largest Media Brainwashing Campaign In History
By Lonnie Wolfe
Executive
Intelligence Review www.larouchepub.com
10-16-1
Introduction:
Are You Brainwashed?
Are you brainwashed? What
about some of your neighbors, are they brainwashed? Before you answer that, let
us ask you a few preliminary questions: Do you believe that the United States
was struck by a terrorist attack on Sept. 11? Do think that the people behind
that attack were "Arabs" and that its "mastermind" was this
fellow Osama bin Laden, operating from a cave in Afghanistan? Do you believe
that the way to stop terrorism is to hit them hard, to hit them at their
"bases" in such places as Afghanistan, and to hit the nations who
might sponsor them, like, say Iraq?
And what about the economy?
Do you think that the recent fall of the stock market, and the weakness in the
economy, have been caused by the Sept. 11 attacks? Well, if you answered
"yes" to any of these questions, you probably are brainwashed! If you
answered "yes" to more than one, you are definitely a
"goner."
"But," you, reply,
"isn't that what most people think? Wouldn't they answer those questions
the same way I do? Well, the answer to that is, yes. But, we would remind you:
Just because the majority of people might BELIEVE something to be true, doesn't
make it true. All it means, is that you and most of your neighbors are suffering
from a mass delusion--or, put more bluntly: YOU ARE BRAINWASHED. So, the
question is, really, how did you get this way? How did you come to believe
things like those statements in the first questions were true? "Well, I
heard it on.... Well, I saw it on.... Well, I read it in...."
You needn't bother finishing
those statements; we can do it for you: You, and your neighbors were told the
"truth" by the mass media. The American "news" media, which
is so proud of calling itself "free," and has been patting itself on
it back for the wonderful job it has done for all us during and after Sept. 11,
is the largest, most expensive, mass-brainwashing machine ever assembled in
human history. It is a machine that so completely brainwashes the nearly 300
millions Americans, that the Nazis' infamous Propaganda Minister Josef Goebbels
would be envious.
Here are the essential facts
of what happened on Sept. 11: According to Democratic Presidential pre-candidate
Lyndon LaRouche, whose assessment is shared by many competent specialists on
terrorism and irregular warfare, in this country and around the world, what took
place was not a terrorist attack, but strategic, covert special operation,
organized to have the appearance of a "terrorist" attack. Mr. LaRouche
and others concur that, given both its scope, and the extent of the cover-up and
misdirection which followed, such an operation could not have been organized by
any Arab terrorist cells or networks, nor by an Arab or Middle Eastern state,
nor any combination of the above; it had to be organized from within the United
States, with the participation and connivance of a rogue network within the
Anglo-American intelligence and military establishment.
As with any such covert
special operation, there is a psychological warfare component, intended to
maximize its effectiveness against a targetted enemy, to confuse that enemy and
misdirect him. In the case of the Sept. 11 attack, the targetted enemy is the
POPULATION OF THE UNITED STATES AND ITS CONSTITUTIONAL GOVERNMENT. The "psywar"
component of the operation is being carried out by the American media-machine,
with the intent to brainwash the American people INTO ACCEPTING THE ONGOING COUP
D'ETAT AGAINST OUR CONSTITUTIONAL GOVERNMENT.
Does that mean that the
directors of the U.S. mass media are involved in the operation? No; it doesn't
work that way. As EIR explained and documented in a 1997 special report, the
U.S. media are controlled and run as a cartel, by the Anglo-American
establishment. As such, it routinely serves the interest of that establishment,
reporting what it wants, and suppressing what it doesn't want reported; or
slanting reporting to conceal reality. Thus, the media's performance before,
during and after Sept. 11 could be prediscounted by those who planned the
operation, so as to become a feature of it; it were merely required to insert
certain specific "psyops" content into this media-brainwashing
apparatus, for it to be spread far and wide with the desired effects on you and
your neighbors.
The brainwashing methods are
relatively simple and classic. First, use the terror itself to put people into a
state of shock, making them more susceptible to suggestion. Then resort to the
"Big Lie" technique to repeatedly hammer home your psywar
message--those affirmative answers to the questions we first asked. And most
importantly, lie, by suppressing all counter-evidence, by refusing to report
anything that might point to the assessment shared by Mr. LaRouche and others:
the cover-up. All this has been done, along with initial softening of the
population to the mass delusional suggestion of the enemy image and the alleged
capabilities and motivations of the so-called terrorists, PRIOR TO THE LAUNCHING
OF THE ATTACK ITSELF.
Don't be so hasty in
dismissing the possibility of your own brainwashing. The enemy knows your
profile and uses it. Doesn't that make you a bit angry--maybe for the right
reasons, for the first time in a few weeks?
Our report below is designed
to give you a view from inside this brainwashing process, to see how it has
worked on you and your neighbors. And, while we can't yet say who precisely is
behind what was done to this country--is still being done--we can show you how
they think about brainwashing and use your weaknesses against you.
Psychological Terror as a
Means of Warfare: Dresden Redux Before discussing the brainwashing operation
itself, we provide a little background on the use of terror against mass
civilian populations. Not surprisingly, this was pioneered by the brainwashers
of the Anglo-American establishment.
As commentators on the scene
at "Ground Zero" of the World Trade Center (WTC) attack on Sept. 11
surveyed the devastation, they reached for metaphors to describe the incredible
scene. "It looks like Dresden," said one, referring to the firebombing
of that German city by the Allies in 1944.
Dresden had no military
value as a target. For centuries, it had been a center of German cultural
heritage--a heritage that had everything to do with positive developments in
human civilization, and nothing to do with the Nazi disease that had been
imposed on Germany by the Anglo-American financial elite. Dresden was chosen for
destruction as an act of TERRORISM, directed, not against the Nazis, per se, but
the German people.
The firebombing of Dresden,
creating a raging inferno of destruction that slaughtered more that 100,000
human beings, was conceived and directed by a group of social psychiatrists at
the Strategic Bombing Survey, affiliated with the Special Operations Command of
the Office of Strategic Services (OSS). This group was effectively overseen by
the head of the British Psychological Warfare Directorate, Brig. Gen. John
Rawlings Rees, the director the Tavistock Clinic in London, which, since the
1920s, had served as a center of psychological warfare operations of the British
Empire.
The team at the Strategic
Bombing Survey, which included a host of U.S.-based Tavistock operatives, such
as Kurt Lewin, Rensis Likert, and Margaret Mead, theorized that the terror
inflicted on the German population through the "message of Dresden"
would break their will to fight, leaving them fearful, frightened, and
disorganized. They projected that it would have a lasting effect on Germany,
removing that nation from among the great states of Europe, making it a
permanently psychologically scarred entity. The German people, they argued,
would be made to realize that "all that is German" could be wiped
away, all of its culture and history, in an instant, as it were, by powers who
would oppose an assertive future Germany.
In his 1941 book, "Time
Perspective and Morale," Kurt Lewin described the psychology behind the use
of this terror tactic for mass effect:
"One of the main
techniques for breaking morale through a `strategy of terror' consists in
exactly this tactic--keep the person hazy as to where he stands and what just he
may expect. If, in addition, frequent vacillations between severe disciplinary
measures and promises of good treatment, together with the spreading of
contradictory news, make the cognitive structure of this situation utterly
unclear, then the individual may cease to know when a particular plan would lead
toward or away from his goal. Under these conditions, even those individuals who
have definite goals and are ready to take risks will be paralyzed with severe
inner conflicts in regard to what to do."
As the pilots and their
crews came to realize what they had done--the creation of a raging inferno,
burning civilian targets and civilians--many returned to their bases horrified.
At the instruction of the psyops warriors, the crews had not been fully briefed
on the mission. Now, they were greeted by teams of psychologists and others, who
would profile their responses to the terror they had unleashed; they were told,
as the crews who later dropped, unnecessarily, atomic bombs on two Japanese
cities, that it would "shorten the war."
As one former intelligence
officer remarked decades later, "we killed for pure terror, slaughtered
people as A TERRORIST WOULD. And, it had no effect on shortening the war. In
fact, it seemed to help rally the German people to the Hitler government. The
fools who designed this mission probably extended the war" (emphasis
added).
The attack on the U.S. Sept.
11, in particular the WTC attack, was designed for a similar PSYWAR brainwashing
effect.
The Sept. 24 issue of
"The New Yorker," commented that, according to "defense
experts," the Sept. 11 strike "was clearly an example of what military
strategists call `psyops'; that is, a brand of warfare whose aim is not to
disable military targets, but to sap the overall will of a nation and its
people."
The article goes on to quote
from a 1999 paper by military strategist and analyst Joseph Cyrulik of the
Center for Strategic and International Studies (CSIS) at Georgetown University
in Washington, D.C., "Asymmetric Warfare and the Threat to the American
Homeland": "By killing and wounding people, damaging and destroying
their homes and communities, disrupting their jobs and economic livelihoods, and
undermining their confidence and sense of security, an enemy can inflict pain to
the point that people demand a change in their government's policies.
"Used at the right time
and place ... an attack could destroy the people's faith in their government,
their military, and themselves. It could become a decisive attack against the
political will of an entire populace."
Cyrulik is part of a network
of "thinkers" who seek to change all military doctrine to meet alleged
21st Century threats; in so doing, this network wants to activate psyops,
including "covert warfare" such as assassinations. While we can't say
that such people are directly responsible for what occurred on Sept. 11, their
assumptions about strategy, tactics, and the elevated value of psychological
warfare, as well as the misdirection involved in their ascribing powers to
"terrorist organizations" or "rogue states" fit nicely into
the overall operation.
There are new methods, not
available at the time of the Dresden attack, for maximizing the psychological
effects of a TERROR CAMPAIGN that parallel standard brainwashing techniques. One
involves the repetition of terrifying images, the kind that would make a person
recoil, and then compelling that person to continue viewing them. Such
terrifying images weaken the ability of the mind to reason, making it more
susceptible to suggestion and manipulation.
In the hours following the
attack on the World Trade Center, every television media outlet in the United
States broadcast, again and again, the images of the airplanes smashing into the
Twin Towers, from all conceivable angles, and then, the shots of the two towers
collapsing. It was easily the most terrifying real-life image that most
Americans had ever seen.
A population induced into a
state of terror and shock was then bombarded with SUGGESTION: images started to
appear, the mugshot-like photos of the alleged perpetrators, and the image of
the "evil mastermind" behind the deed, Osama bin Laden.
And, you
still believe that you weren't brainwashed?
The Movies in Our Heads
"God, this is just like a movie," exclaimed CBS anchor Dan Rather as
the first of the World Trade Center towers collapsed. "Only, it's the real
thing." Did you have the sense, as you were witnessing the horror of the
WTC attack, that you, too, had seen this before? You probably had--and that is
part of the brainwashing operation.
In the last five years,
there have been at least a half-dozen movies, whose plots have centered on a
terrorist attack on the United States. Hollywood statisticians have estimated
that these have been viewed, both in movie theaters and home videos, by more
than 100 million people. And, many of these movies, in the recent period, have
portrayed "Arabs" or "Islamic fundamentalists" as being
behind the terrorist assaults.
Each of these latter films
has some "expert" advisor, usually a "former counterterrorism
expert" and, in some cases, someone who has worked in the military. While
it would be a leap to say that the movie-production companies or the
"experts" are necessarily witting accomplices in the current plot, the
movies, with their "steered" scripts helped people believe that
"Arab" terrorists might be capable of what was done on Sept. 11.
Long before there was
television, images were placed, for "playback" in America's memory
banks--first by the print media, and then, starting early in the 20th Century
with the first of the real mass media, the movies. Hollywood is a component of
the Anglo-American media cartel, a point made more obvious by recent creation of
"entertainment conglomerates" through mergers and acquisitions. Thus,
a mere handful of companies, with interlocking boards, comprised of people
within the Anglo-American establishment, controls all of what we see in the
multiplexes, on television, in the print media, and, more lately, on the
Internet.
As movies were becoming a
truly mass-media phenomenon, the Anglo-American commentator Walter Lippmann
described their power, along with the popwer of media generally, in shaping
"public opinion"--what you and your neighbors think. In his 1921
"handbook" on the mass manipulation of the public mind, "Public
Opinion", Lippmann, who had been trained by Rees, among others, at the
British propaganda directorate during World War|I, writes in his introductory
chapter, "The World Outside and the Pictures in Our Heads":
"Public opinion deals
with indirect, unseen, and puzzling facts, and there is nothing obvious about
them.... The pictures inside the heads of these human beings, the pictures of
themselves, of others, of their needs, purposes and relationships, are their
opinions. Those pictures acted on by groups of people, or by individuals acting
in the name of groups, are Public Opinion with capital letters.... The picture
inside [the head] so often misleads men in their dealings with the world
outside."
Somewhere in your memory
banks, were planted the "pictures in your head" of the WTC attack. New
Yorker film critic Anthony Lane writes in the magazine's Sept. 24 issue,
"How often have we listened to these words [since Sept. 11]. The statement
of fact: `The worst terrorist bombing since Oklahoma City.' The promise: `Make
no mistake about it--we will hunt down the enemy, we will find the enemy, and we
will kill the enemy.' The caution: `You can't fight a war against an enemy you
can't see.' And the ominous look ahead: `This is a time of war; the fact that it
is inside our border means that it is a new kind of war.' We have learned such
sentiments like a script; that we have heard it again and again [in the days
since Sept. 11] has not diminished the sternness with which we have given our
assent.
"Just one problem: it
IS a script. All the lines quoted come from `The Siege,' a 1998 thriller
directed by Edward Zwick."
The plot of that movie
involves a network of "Arab" terrorist cells, which commit acts of
increasingly violent intensity, against civilian targets in New York City. Video
clips of President Clinton commenting on the attacks launched, by his
administration, against the networks of Osama bin Laden are spliced into the
movie footage. As the terrorists wreak more havoc and kill more people, New York
City is placed under martial law; anyone who looks "Arab" is rounded
up and placed in internment camps, even as the violence continues.
In the end, the movie
becomes a sermon on how to moderate attacks on the Constitution, and on ethnic
profiling of Americans, while the nation goes on to fight the foreign,
"Arab"-terrorist enemy.
When "The Siege"
opened in November 1999, it was greeted with protests from the Arab-American
Anti-Discrimination Committee, who charged that it "portrays Arabs and
Muslims as an homogeneous, threatening mass," and labelled the film,
produced by Rupert Murdoch's 20th Century Fox, "dangerous and
incendiary."
Despite such protests, and
relatively poor reviews, the movie sold several score millions of dollars worth
of tickets and has done well in its video release. In remarking how successful
the movie-brainwashing effort has been, Lane noted, in the "New
Yorker," that the majority of Americans reacted to those events with the
same kind of unreasoned emotion that they express at the multiplex or in the
home theaters:
"And the exclamations
from below, from the watchers of the skies caught on video, as they see the
aircraft slice into the side of the tower: where have you heard those
expressions most recently--the wows, the whoohs, the `holy shits'--if not in the
movie theaters, and even on your own blaspheming tongue." Hollywood,
through films like the "The Siege" and "Die Hard," writes
Lane, has provided a "sensory education ... fed to a hungry public."
In the days following the
attack, President Bush's approval rating shot up to above 90%, and stayed there,
especially after his nationally televised address of Sept. 13. Following the
speech, a CNN commentator observed that President's approval was so high because
he was behaving the way Americans expected him to: "Like the President in
`Independence Day' [a blockbuster movie about an attack on Washington and the
U.S. by aliens] or the guy from the `West Wing' [a popular television
show]."
And, you
think you haven't been brainwashed?
`Morphing' the Enemy Image
Take a close look at the image of Osama bin Laden, as it appears on the
television screens, in this time of a new "war." In psyops terms, bin
Laden has become the image of the enemy--the picture that a targetted population
keeps in mind as the person, or, specifically, the type of person it is
fighting. There is the swarthy complexion, the beard, the burnoose, the weapons
in hand--it is all there, all as expected, an ideal subject for the projected
rage and hatred of an injured nation. No matter that bin Laden is not really the
"evil mastermind."
In the days and weeks
leading up to the attack, media-watch organizations reported that the major U.S.
television news outlets, including the cable networks CNN and Fox News, devoted
an inordinate amount of what passes for their "international"
coverage, to bin Laden, describing him as a "terrorist mastermind" or
"terrorist controller," almost always accompanied by a photo or video
clips.
But his creation by the
media as "terrorist mastermind" doesn't really begin there. To
understand what happened, one needs to look at a nearly 30-year span of news
reporting, that led us to this point, where some character, a former and current
asset of U.S.-British-Israeli intelligence networks, operating from
"caves" and other bases in one of the most remote and isolated areas
of the world, has become U.S. "Public Enemy Number One."
Look at the bin Laden enemy
image as a morphing process that begins with the television image of the Black
September terrorists of the 1972 Olympics. Then, continue to the 1973 images of
Palestinian leader Yasser Arafat; later, there are the images of Iran's
Ayatollah Khomeini and the fanatic mullahs.
Think of someone in
Hollywood central casting, trying to find a person to portray the terrorist
archetype, given these past figures and images: An oil-rich, almost mystical
clerical type (although he holds no religious position), who looks like a morph
of "enemies" Arafat and Khomeini, gets the "part."
The population has also been
pre-conditioned to accept the "storyline" that terrorists who would do
such things as took place on Sept. 11 MUST BE ARAB AND/OR MUSLIM FANATICS, as
thousands of televised hours of misreporting has repeated. Arab organizations in
this country report polling results showing that, by a large margin, Americans
believe, even without supporting evidence, that any act of terrorism has
"Arab" origins and "Arab" perpetrators.
As one intelligence source
said this week, within minutes of the World Trade Center attack, Americans had
decided that this was done by "Arab terrorists" connected to
"terrorist mastermind" bin Laden. "They didn't need to be told to
think this," said the source. "They had already been conditioned to
believe it." Are such people not "brainwashed?"
We are told that our press
is "free." But isn't that a lie? How "free" can it be, if
the most important event of our time is lied about, at almost every turn,
misreported; if the truth is nowhere to be found among the smorgasbord of news
outlets that comprise our glorious, "free press."
In Nazi Germany, Propaganda
Minister Josef Goebbels boasted that the press was free to report whatever it
wanted. But, that press was "coordinated" through the operation of a
"press trust," that encompassed all media. The Nazis planted stories
in the press to suit their ends, and the trust dutifully reported them, with
various spins that might give the appearance that not all media were receiving
information from the same spigot.
While Americans might find
it hard to believe, THERE IS NO PRACTICAL DIFFERENCE BETWEEN THE PROPAGANDA
OPERATION OF THE NAZI PRESS TRUST AND THE ANGLO-AMERICAN MEDIA AND ENTERTAINMENT
CARTEL. It is not hard to slant the coverage of any event to suit almost any
purpose--as long as that purpose fits the needs of those elites that control the
media. All it takes is the planting of a few key items of content, which are
then flushed down through the media sewer pipes. Before you know it, the poor
citizen is deluged. In a certain sense, the Nazi operation was less insidious,
because it was more overt; only fools would fail to realize that they were being
fed the "line" by Goebbels and his crew. Here, the appearance of
choice, the appearance of a flood of information, confuses the average citizen
into believing that he MUST BE GETTING THE TRUTH, FROM SOMEWHERE.
But, even a cursory content
analysis of all, or most of our news sources, especially the major television
providers, shows that the general content line from all sources is basically the
same. This has been the case, for example, in coverage of Lyndon LaRouche and
his policies; in the major media, the coverage of LaRouche has followed the line
dictated by the late Lazard Freres-linked Katharine Graham of the
"Washington Post" to never cover LaRouche, unless it is to slander
him. Similarly, the decision to black out the present global depression and
financial collapse. While there may be no formal meetings among the controllers
of the media cartel, where such policy is laid out, a policy consensus,
nonetheless, ruthlessly enforces the content of the "news."
In periods of crisis like
the current one, however, some of the controls become more visible; less is left
to chance.
It has been reported by some
sources, that within a few hours of the Sept. 11 attacks, Executive Orders were
issued that put the U.S. media under effective wartime censorship. That is not
to say that government auditors of news reporting actually issued orders
censoring reports; it is to say that they moved quickly to block any reporting
that might have veered away from the official "line."
(There was also coordination
on the extent of coverage as well. It was reported that all broadcast media were
given the recommendation to cease normal programming in favor of 24-hour
coverage of the "Terrorist attack on the United States" and
"America at War," as the "ID logos" that appeared on all the
networks. It is also reliably reported, that the White House and national
security operatives participated in the decision to cancel all major sporting
events.
What this translates into,
we have been told, is that a muzzle has been placed on government sources, and
that all information coming out about the attacks and the investigation, is
under top-down control. This is understood by those who control the news
reporting of the major media outlets, who have thus submitted to a voluntary
censorship.
And you, of course, have
managed to understand the truth in this brainwashing environment? As they say,
"Give me a break."
Beating the Drums for War
There was a brief interval, that morning of Sept. 11, as the great brainwashing
machine allowed for the visual impact of the terrorizing message to sink in,
before the signal was given for the talking heads to pronounce the name of the
enemy.
If it appeared to some that
no matter which channel--broadcast or cable--you tuned to in those first hours,
you saw the same dozen or so spin doctors, you weren't mistaken: This has been
confirmed by various media-watch outfits. For example, one media-watch
organization tallied more than a dozen appearances by former CIA Director James
Woolsey in the first few days after the attack, each repeating the message about
the need to wage war against Iran, Iraq, and anyone else who allegedly sponsored
the likes of bin Laden. An only slightly less strident Sen. John Warner (R-Va.)
appeared numerous times; we lost count on Henry Kissinger.
As the media-watch group,
Fairness & Accuracy In Reporting (FAIR) stated, following Sept. 11, any hope
that the media would present an unbiased account of what happened, that it might
resist the drive for an ill-defined war, went out the window. Instead, FAIR
documented how the print and broadcast media issued emotional tirades for war,
echoing what they believed to be the sentiment of the American people; in so
doing, there were no contrary views presented, and, in effect, Americans still
have no clear idea about what happened, or exactly what the Bush Administration
is proposing to do to protect them from future terrorist threats.
Look at these following
selected examples, which could be amplified by many more:
* Kissinger-clone Larry
Eagleburger, appearing on CNN, on the day of the attack: "There is only one
way to deal with people like this, and that is you have to kill some of them,
even if they are not directly involved in this thing."
* The "New York
Post", the next day: "The response to this unimaginable 21st-Century
Pearl Harbor should be as simple as it is swift--kill the bastards. A gunshot
between the eyes, blow them to smithereens, poison them if you have to. As for
the cities or countries of these host worms, bomb them into basketball
courts."
* Sept. 14 op-ed in the
"Washington Times" by Defense Intelligence Agency officer Thomas
Woodrow: "At a bare minimum, tactical nuclear capabilities should be used
against the bin Laden camps in the desert of Afghanistan. To do less would be
rightly seen by the poisoned minds that orchestrated these attacks as cowardice
on the part of the United States and the current administration."
FAIR commentator and media
watcher Norman Solomon commented that many of the same people who were now
calling for a "war against terrorism" and anyone who might support it
(including many of the analysts who were appearing as talking heads and op-ed
columnists) were themselves involved in assisting terrorists, including Osama
bin Laden, when such efforts were official, if then-secret U.S. policy.
"How can a long-time associate of terrorists now be credibly denouncing
`terrorism?'" he asks. "It's easy. All that is required is for media
coverage to remain in a kind of history-free zone that has no use for facets of
reality that are not presently convenient to acknowledge."
One of those
"inconvenient facts" was the well-documented involvement of U.S.
"special ops" people, and the Zbigniew Brzezinski crowd; then, later,
Ollie North and the Bush people, with bin Laden, dating back to the Soviet
invasion of Afghanistan, which amounted to the biggest "state
sponsorship" of terrorism, or at least sponsorship by a then-dominant
faction of our government and intelligence community. FAIR and other media-watch
groups report that almost no one mentioned these "inconvenient"
matters, amidst the vast flow of war propaganda; and if they did, it was only to
lie that it was a policy that had long since been abandoned.
Similarly, much attention
was given to reports about FBI and other agencies work in putting together the
"conspiracy" behind the attack. To this date, no one in the major
media outlets of the United States has mentioned that there is even a
possibility of involvement of U.S. elements. Instead, the reporting has focussed
on a combination of "spade work" on clues and leads, as well as,
alleged connections to the bin Laden networks. FAIR remarked on such coverage,
saying that the shots of bin Laden and his camps gave the impression that there
had been more than circumstantial evidence linking them to attacks. The only
proof offered was from "intelligence leaks" coming from the wartime
propaganda apparatus created by the Executive Order or from assertions made by
the talking heads and other "experts."
The only characteristic,
universal to all the coverage, is the cover-up of any possible trail leading to
a domestic source for the control of the terrorism.
Is all reporting being so
"coordinated and steered?" It is clear that some of the wackos, like
Fox News's Bill O'Reilly, a particularly vile character, are simply being given
free rein to vent their lunacy.
On Sept. 17, O'Reilly
demanded that, if the Taliban do not turn over bin Laden, "the U.S. should
bomb Afghan infrastructure to rubble--the airport, the power plants, their water
facilities, and the roads....
"This is a very
primitive country. And taking out their ability to exist day to day will not be
hard. Remember, the people of any country are responsible for the government
that they have. The Germans were responsible for Hitler. The Afghans are
responsible for the Taliban. We should not target civilians. But if they don't
rise up against their government, they starve, period."
He went to advocate, in that
broadcast and others, to make the "Iraqi population suffer another round of
intense pain" and to blockade Libya from all food supplies: "Let them
eat sand."
As is typical with a "grey
psyops" propaganda campaign, the most extreme ravings are played off
against those only slightly less lunatic, to make the latter appear sane by
comparison. Thus, an O'Reilly makes a Woolsey look like a sober analyst, as he
calls for a war to take out governments that support terrorism, and for
"careful" and "calculated" escalating response against bin
Laden.
To hold people's attention,
to keep them on "message," it were necessary to keep them in a highly
emotional state. To do this, there was a steady stream of "human
interest" stories about the grief of affected victims, about the courage of
rescue workers and those who perished, along with shots of grieving citizens.
While the courage and grief are real, the constant bombardment of these images
is BRAINWASHING CONDITIONING. Without them, you would have, after a few days,
turned off CNN and the "news" coverage.
Do you still
insist that neither you, nor your neighbors, have been taken in by this?
`Crash? What Crash?' Lost
amid the war hysteria, or more precisely "spun" inside of it, is the
coverup of what would otherwise be the biggest story of the day: the full-scale
crash and blowout of the financial markets. The markets, at last look, had
plunged nearly 20% since Wall Street reopened on Sept. 17. A fall that
precipitous is normally called a "crash," engendering widespread
panic, not only among traders and brokers, but among the general population. But
in the two weeks of this crash, not one commentator on a major network has used
the term! Moreover, we are told, it is our patriotic duty to have faith in the
eventual recovery of both the markets and the economy. "We can't let the
terrorists defeat us and bring our economy down," said financial
commentator Louis Ruckeyser on his televised "Wall Street Week."
As Lyndon LaRouche has
stated, the crash would have occurred anyway, given the bankrupt state of world
financial system, even without the Sept. 11 events. However, now the financial
analysts who appear on the television news and in the print media are
universally blaming most, if not all of what happened, on "Osama bin
Laden." This was to be expected, they claim, given what happened on Sept.
11, in what is the biggest "Big Lie" of them all.
As one trader reported,
"My God! The bottom has fallen out and nobody calls it a crash. It's like
it's your patriotic duty not to mention the word. Hell, the Dow's lost more than
1,500 points--that's a CRASH. But, if I'm overheard saying this, people look at
me: `Where's your American flag? Remember who you are and what's going on. Do
you want to help Osama bin Laden in his plot to destroy our economy?'
Unbelievable!"
But, as like many other
media-brainwashed Americans, this trader was, in his words, "going with the
program. It's not a crash, it's a terrorist event."
A Clockwork Future? Several
nights after the Sept. 11 attacks, CNN flashed images on the screen of National
Guard personnel patrolling the streets of Washington, and heavily armed special
police in New York City, inspecting cars at a tunnel entrance. Then, images were
flashed of Israeli military personnel on the streets of Jerusalem, inspecting
cars. The voiceover, by CNN news-witch Greta van Susteren, a regular featured
personality of that media sewer, along with Mossad-asset Wolf Blitzer, spoke of
America, in response to the "terrorist threat," becoming an
increasingly "policed society," where civil liberties had to be
sacrificed for the protection of its citizens. We have seen this before, she
said, not just in Jerusalem, but in Belfast, Northern Ireland, as a response to
"political terrorism" of the IRA and Protestant militia. After a
while, people get used to it, she said. "Life goes on." Interviews
were presented with Israelis who seemed to concur with the sentiment that, under
conditions of "internal war with terrorists," one needs to adjust to
sacrifices in civil liberties. "Americans will get used to it, just like we
did," the Israeli said.
Thus, the media prepares--or
more precisely, conditions--the country to accept a form of police state,
justified by a threat that has not really been dealt with, and whose true source
has been covered up. Not surprisingly, when Attorney General John Ashcroft,
proposed legislation for a sweeping abridgement of civil liberties, it was given
relatively short shrift by the same media. FAIR reports that two of the three
network news broadcasts never reported it at all; while it was hardly mentioned
on CNN or Fox News. The print media, while reporting it, maintained the theme of
the "necessary sacrifice" of civil liberties for personal safety and
security.
Back in the mid-1970s, Eric
Trist and Fred Emery, two leading Tavistock brainwashers and "experts"
on the effects of mass media, forecast that, by the end of the century, the
United States were likely to become just such a fascist police state.
The two developed a theory
of "social turbulence," by which a society is delivered a series of
"shocks"--administered as shared, mass phenomena--energy shortages,
economic and financial collapse, and TERRORIST attack. If the "shocks"
were to come close upon each other, and if they were delivered with increasing
intensity, then it were possible to drive the entire society, into a state of
mass psychosis, Trist and Emery said. They said that individuals would become
disassociated, as they tried to flee from the terror of the shocking, emerging
reality; people would withdraw into a state of denial, retreating into popular
entertainments and diversions, while being prone to outbursts of rage.
That rage could easily be
steered, said the two brainwashers, by those who had access and control over the
means of mass communication, most notably television.
It was the view of Trist and
Emery, in two works widely circulated among the networks of brainwashers and
social psychiatrists associated with Tavistock, and among the
psychological-warfare operatives of the U.S. and Britain, that the process of
watching television was itself a brainwashing mechanism. They cited their own
studies, that regardless of content, habituated television viewing shuts down
the cognitive powers of the mind, and has a narcotic-like effect on the central
nervous system, making the habituated viewer an easy subject for suggestion and
manipulation; in addition, they found that such effectively brainwashed
"zombies" would hysterically deny that there was anything wrong with
them, or, even, that such manipulation of what they "thought" were
possible.
In a chilling metaphor,
Trist and Emery proposed that the terrorized, violent society of the Anthony
Burgess book, "A Clockwork Orange," made into a movie by Stanley
Kubrick, was the logical societal outcome for an America that would, by the end
of the century, have been subjected to more than 50 years of mass brainwashing
by the "boob tube." Burgess's world is one of perpetual violence and
terrorism, as a daily part of life; it is accepted that, if you go out at a
certain time, or walk in a certain neighborhood, you will be attacked and/or
killed. There is no purpose to the violence--it is random and meaningless, and
therefore all the more terrifying. The wealthy are protected; everyone else is
told to go about their business with knowledge of the risk.
With terrorist youth gangs
roaming the streets, people stay home, watching their televised entertainments,
or go only to certain areas, which are heavily protected by police and military.
The most sickening thing about Burgess's image is the sense of hopelessness, of
inevitability, that nothing can be done about it--it is just "the way it
is," as Dan Rather's predecessor as CBS News anchor, Walter Cronkite, used
to remind us each night, as he closed his broadcast.
While the Trist-Emery thesis
is not exactly required reading in the caves of Afghanistan, it is quite
familiar to the psywarriors and brainwashers who have launched a war on the
American population. There is a particular kind of oligarchical evil that would
think like this, that would see a Clockwork Orange society as a necessary
outcome, to protect their continued privilege and power. Are we Americans
already so brainwashed that we would allow this to happen? The next weeks and
months will determine whether we truly do have the moral fitness to survive.
"The end of the world.
Details at 11. Now back to your regular programming."
Remember: The first step in
deprogramming yourself from mass-media brainwashing, to freeing yourself and
your neighbors, from its evil clutches, is to recognize that you and they are,
indeed, brainwashed. It gets a lot easier, and things begin to get much clearer
from there on.
Reproduced From: http://www.rense.com
Source: Executive
Intelligence Review www.larouchepub.com
From:
http://www.speakeasy.org/clear-cut/contents/AnteroAlli.html
WORLD
ENTERTAINMENT WAR "Intelligence Report:
How To See
Through Advertising"
One of the many lesser known
facts about Timothy Leary is his invention of a whole-brain model for
intelligence (INFO-Psychology; Falcon Press) which has since spawned two
additional versions; one by myself (ANGEL TECH; Falcon.) and one by Robert Anton
Wilson (PROMETHEUS RISING; Falcon.). Dr. Leary's "Eight-Circuit Brain"
theory suggests that "intelligence" is fundamentally plural by
definition; an interaction of intelligences, or brains, begets more
intelligence. Eight interactive functions of intelligence are defined by Leary
and, in the creative process of making them my own, redefined as: physical,
emotional, conceptual, social, sensory, psychic, imaginative and spiritual
intelligences (readers of ANGEL TECH may notice a change from "mythic"
intelligence to the more psychological "imaginative" intelligence).
This 8-Circuit model
suggests that within each center, or function, there exists three phases
necessary to each center's operation; these mirror the trinary activity to the
most basic unit of biological intelligence, the neuron, in its capacity to
ABSORB, INTEGRATE, and TRANSMIT information and/or energy. According to my
understanding of this model, physical intelligence is increased to the degree
one absorbs (receives), integrates (organizes), and transmits (expresses)
physical experience. Apply this trinary function to each of the eight levels and
you'll get an idea of the extraordinary implications: the realization of
intelligence is entirely up to HOW each central neural (not nervous) system
processes its own experiences. To the extent experience is not absorbed, not
integrated, not transmitted - IN ONES OWN WAY - is the measure of ones ignorance
and idiocy in whatever center lacks our presence. We are all greater idiots than
we realize; getting past the vanity to admit it, is preliminary to the work of a
World Entertainment Warrior. Since this 8-Circuit Brain model will be used to
address intelligence issues, readers are encouraged to memorize the first four
circuits. "ALERT: Imagination Death Precedes Loss of Soul"
The current World
Entertainment War is a form of information warfare, existing at the level of
mind and perpetrated by a massive infiltration of gorgeous images and catchy
buzzwords now upstaging millions of imaginations; images and fantasies
enchanting enough to captivate the fancy of those minds who have stopped
dreaming their own dreams. Remember, in the Information Age, real wars are no
longer fought over mere physical territory but the internal landscapes of the
psyche itself; whosoever governs the metaphor, governs the mind. Those who are
not learning new ways of learning and those who are not thinking of themselves
are already war casualties, often without knowing it.
Those imaginations corroded
by Television Overdose, Media Debauch, and Advertising Bolemia are suffering the
silent agonies of a slow death. If these words sound melodramatic and even
paranoid, look again. The actual situation they refer to is far more dramatic
and terrifying than most people care to imagine. Why? Our minds have been so
super-saturated with slick simulations of reality, that for some of us, it is
growing increasingly difficult to care about the difference...not just between
"reality" and "fantasy" but between ones own fantasies and
those mass-produced by corporate imagination killers. Imagination death is a
condition preliminary to the death of soul; dampen a person's power for
envisioning their own lives, their futures and you wash away an internal psychic
environment that is house and home to a living soul. (Note: I've no time to
prove or disprove the soul's existence; I trust its quandary to be sufficient
enough to test and define the reader's own sensibilities and conclusions.)
There is a way to apply the
8-Circuit Brain model, in particular the first four centers, as a reference grid
for deciphering advertising strategies and eventually, for seeing through them
altogether. The first four circuits - physical, emotional, conceptual, and
social - revolve around four inter-related levels of individual survival.
Physical survival is not enough to nurture the life of a soul: there must be an
emotional, conceptual, and social life, as well. To the extent one is not
receiving, assimilating and communicating human experience in any combination of
these four, is the extent one continues "spinning wheels in survival
mode." Those centers hobbling along on one out of three pistons tend to be
more vulnerable to external commands, ie., from whomever. Nobody knows this
better than the media wizards working for corporate advertising executives, who
play on the consumer's real and imagined deficiencies to sell their products.
--------------------------------------------------------------------------------
THE WAY OF HOW Intelligence,
thanks to Quantum Physics, is no longer a WHAT but a HOW. Real intelligence
thrives on process, not content. Any mind can fill itself with dead data and
still remain fundamentally ignorant; many still do. The processes producing
whatever contents fill a mind actually govern and regulate that content. WHAT
something is, identifies it; HOW something happens, shows us its essence. Did
you ever notice how the way someone says something means more than the content
of the words themselves? The way of how. The way of how is utilized to great
effect by the enemy - the Corporate Advertising Imagination Killers - to change
the contents of the consumer mind without asking their permission. Shame. Shame.
Shame.
Promotional tactics act on
the low-esteem of the naive viewer, those minds which have not begun thinking
for themselves and governing their own lives. The most sophisticated frontline
advertising strategies involve covert methods to trick the consumer into
believing their lives are in ways obvious and ways mysterious, incomplete and
deficient without the promoted product; only through purchasing the commodity
will the consumer's life be "whole" or "better" again. The
successful advertiser exposes a need and then, makes a promise to meet it for a
price. There is nothing inherently wrong about this; it makes good business
sense. But when the images and the words that are used to sell a product fail to
represent the product itself, we have false advertising and worse: subliminal
manipulation of values. An example is when an automobile manufacturer uses the
image of an attractive woman to sell a car, they are appealing to the unmet
sexual needs of the male viewer (not to mention debasing the "image of
women" as an object to sell cars with).
By superimposing the grid of
the first four circuits over this general "deficiency" principle, very
specific information jumps out at us. Each level of survival, from physical
through social, is genetically motivated by specific rewards assuring
satisfaction of specific needs: 1) SECURITY 2) STATUS 3) KNOWLEDGE and 4) SEX.
Everybody defines and meets their needs for security, status, knowledge, and sex
in different ways; the content of these needs are universal, the way of how
they're met is personal. When needs aren't met, we are frustrated. This basic
knowledge also forms the backbone of a successful advertising ploy: promise them
anything but sell the product. By associating any product with the promise of
more security or more status or more knowledge or more sex, the consumer's own
unmet needs are touched and, they're hooked.
--------------------------------------------------------------------------------
IMAGINATION BOOT CAMP
TRAINING Advertising is the business of promises, fantasies, and dreams: truth
has never sold that well. Even the new "INFOtainment" shows on
television (Current Affair, Cops, Funniest Videos, etc.) are slick attacks on
the consumer need for the knowledge they're not getting in their actual lives.
As World Entertainment Warriors, a kind of Boot Camp Training for the
imagination is imperative not just for personal autonomy but for encouraging the
autonomy of others. The 8-circuit grid is a good starting point, although any
method which challenges the process of self-reclaimation - physically,
emotionally, intellectually, and socially - can prove effective as long as each
mind is mapping out their own experience. The bottom line to boot camp training
is survival and learning how to be a survivor. In Boot Camp Imagination
Training, expose your own needs to yourself and then, find your most creative
ways of meeting them. This kind of offense is the best defense to commercial
advertising which, as mentioned before, will promise you whatever you're not
giving yourself.
The World Entertainment War
is being fought over the WAY OF HOW which is, for the better part, largely
unclaimed in most people. The public education systems are, in part, to blame
for this ruthless atrocity. Remember: in school, young impressionable minds are
taught to value knowns over unknowns, content over process, as a measure of not
only intelligence but self-worth. Anyone remember the feeling of receiving your
first "F" on your report card? The highest grades and the greatest
approval goes to those minds willing and able to retain the densest volume of
known facts; dead data depositories. The imagination becomes ill when the mind
stops relating with unknowns; it bends over and dies, when a mind turns away
from the abyss.
By redefining
"security" and "status" and "intelligence" and
"sexuality" according to what is most truthful to oneself, an
extraordinary thing occurs: one begins to actually exist. And only that which
really exists is subject to real change, real life. By defining ones terms, one
stands a chance of living by them and cultivating the ground for the birth of a
real being. Until then, we are non-entities at best...wannabees out for our next
celebrity fix. Understandably, it takes a certain stance to see this. It is this
very lack of stance which forces consumers to suffer as victims of the World
Entertainment Wars, no matter how smart we think we are. Are we intelligent
enough to confess ignorance, you know: the specific idiocy expressing our
particular area of vacancy?
World Entertainment Warriors
know it is far too late to avoid self-definition; "define yourself or be
defined." Yet, World Entertainment Warriors also fight on the frontlines
under camouflage of unexplainable poetry, seductive music and iconoclastic
theatre; they evoke where their opponents explain and then, get away with
murderous humor. World Entertainment Warriors hit the roads, rearranging highway
billboard images to expose dangerous truths while circulating posters of
political candidates carrying "Dial-A-Prayer" phone numbers. Most of
all, World Entertainment Warriors use their wildest imaginations as combat
weapons, as power tools and as mojo healing totems for inspiring people to
death. If religion is the opiate of the masses then, the death of religion is
the birth of poetry.
© Antero Alli
From:
http://www.yorku.ca/faculty/academic/gerry/essays/berdock.html
COUNTER-ADVERTISING
AND ITS EFFECT ON CYBER-MEDIA
By Jennifer
Berdock
The proceeding discussion is
perhaps best initiated through the employment of a study from the late 1950s and
early 1960s, analogous to the current state of affairs in advertising standards
and practice. During this time in the twentieth century, a radical physician by
the name of Dr. Ewen Cameron began to experiment on patients to determine
whether the human mind could essentially be ‘depatterned’, and inputted with
entirely new information. This experiment would prove successful if it succeeded
in altering the consciousness of the individual, thus making them especially
susceptible to suggestion. Dr. Cameron determined that ‘depatterning’ could
be accomplished through the use of a technique he called psychic driving.
Psychic Driving is a technique that enlisted the ceaseless repetition of a key
word or phrase, rendering the patient incoherent, and often disoriented even at
the conclusion of the experiment. Phrases such as "you have no
self-confidence" were essentially implanted in the minds of Dr. Cameron’s
patients, later to be undermined by affirming messages intended to counteract
the effects of the former. This driving message resulted in patients inability
to decipher reality from implant, and culminated in the process of psychic
driving as a torturous one. This sort of ‘research’ served to indicate its
‘brainwashing’ value if utilized within the context of the military, and in
fact the CIA, who became very interested in the results of such ‘depatterning’,
funded Dr. Cameron’s work for three years under the coded pseudonym of MKULTRA.
Dr. Cameron became infamous
in later years for the experimenting that he did upon his uneducated human
subjects. He was especially ostracized by both the medical and general public
for the administration of tranquilizing drugs such as LSD and sleeping pills to
his subjects, as well as using unconventional methods such as electric shock
therapy and deep hypnosis to ensure his patients’ compliance and lack of
resistance in the experimental process. Needless to say that Dr. Cameron’s
experiments succeeded in alienating both himself, and participating government
agencies such as the CIA, from society’s previous trust – rendering both the
psychiatric profession and the government susceptible to unyielding public
scrutiny.
In one sense, Dr. Cameron’s
work continues to thrive in contemporary society, even withstanding the general
outrage that resulted in the 50s and 60s. As explained by Bruce Grierson, a
writer and editor for The Media Foundation,
Under new stewards and
another guise, the "electronic lobotomies
continue apace. The subject
pool has expanded from a few dozen
people to a couple of
billion. The driving messages have become
more sophisticated: cryptic,
alluring, alarming. They are no longer
called implants. They are
called ads.
Of course, current
advertising executives are unable to tamper with the physical nature of their
subject’s minds by administering either mind-altering drugs or therapies to
induce compliance. Their tools of late; the advertisements themselves, must
prove so arresting that these secondary methods are no longer necessary to
ensure that the ‘patients’ of the public will indeed purchase their products
– regardless and irrespective of any real necessity for whatever it may be.
The model of contemporary advertising follows Dr. Cameron’s scheme of
depatterning. However, modern advertising proves a broader and more
sophisticated process in that the public is bombarded with thousands of
different, and often competing, messages, intended to lead us towards the given
product willingly and readily – the effects on our long-term consciousness (as
in the cases of Dr. Cameron’s patients), unknown.
Advertising corporations may
be said to "break down" and "build up" our minds by moving
us through four stations. Initially, we are assured that purchasing a given
product will enrich our
lives. This is followed by the realization that to obtain this product and
enrich our lives we must have enough money. Ultimately, the quest for money will
alienate ourselves from one another as it becomes a central defining factor in
our respective daily routines. At last, we feel socially and spiritually void by
this repetitive and often fruitless process, and this may only be purged by
returning to the first step in this circular system.
Perhaps to a larger extent
than any of us are willing to admit, we have already been fed so many driving
messages to have assured our general compliance, depatterning us and leaving us
susceptible to some of the most cryptic and disturbing advertisements prevalent
in our social domain.
Counter-advertising is a
concept dedicated to an ethic of revealing and undermining the systematic
manipulation by current advertisers and corporations in their desire to sell
their products. One organization committed to this ideal is The Media
Foundation. The Media Foundation is a media activist coalition striving to
overthrow the supreme and subliminal powers of money-hungry corporations who
dominate quite literally, all arenas of the media.
The Media Foundation has
grown to incorporate several counter-advertising strategies. In efforts to reach
the same mass audience levels of those targeted by corporate advertising gurus,
The Media Foundation has created its own Internet site, pioneered the Powershift
Advocacy Agency, and publishes the controversial "Adbusters" magazine.
Those in support of the foundations’ ethic include a multitude of media and
environmental strategists, as well as a healthy salad of media and advertising
professionals, students and educators of media literacy, and enough intelligent
individuals concerned for the welfare of their social world being bombarded by
disturbing and offensive images and messages aimed purely towards gaining
profit.
As mentioned, "Adbusters"
is a controversial print magazine that is published by The Media Foundation.
Adbusters is a Canadian publication, and has recently expanded to include its
own website (see Appendix A), breaking new ground and wreaking anti-commercial
havoc in cyberspace with its message faithful to the ethic of humane and
responsible advertising. Adbusters is perhaps most notorious for its shockingly
laughable spoofs of popular media icons, such as those directed at the McDonald’s
corporation, Nike, Benetton retailers, and a slew of other such "innocent
victims" of the media’s ‘double-edged sword’. Lest we forget the
seriousness in the satire, Adbusters is, all jokes aside, committed to its
critical investigation of current media and its propensity for irresponsibility
in the public sphere (1).
Powershift, the social
marketing limb of the Media Foundation body, has sequentially been producing a
series of Adbusters "uncommercials", directed at an uncompromising
expose of the motives, and the means employed by large corporations to sell
their products to the public. So controversial were these uncommercials, and the
resulting reactions of targeted companies, that the majority of television
networks, such as those on the forefront of T.V. advertising (i.e. NBC, CBS,
ABC) absolutely and resolutely denied Powershift the airtime necessary to
broadcast these crucial messages to the public. However, CNN did meet with
representatives from the Powershift Advocacy Agency and The Media Foundation on
the subject, and proceeded to air an hour-long CNN special report on their
network to encourage and stimulate public education about the mission of the
foundation’s leading cultural critics. Five of the most recent uncommercials
created by Powershift, and denied television network airtime, are available to
peruse and download from the adbusters website, providing for the public the
rare opportunity to regard what the major networks (and their major sponsors)
are attempting to – for all intents and purposes – censor from the public
sphere.
In retaliation to much of
this corporate resistance to change, such counter-advertising strategies support
an ideal of "culture-jamming": undermining the purpose of existing
advertisements by ‘jamming’ them full of critical cultural messages. This
process ultimately subverts the original message by disturbing the circuitry of
the delivery, and reveals the blatant objectives of the advertisers. An example
of live culture-jamming is in the activism of Chicago-based artist Ben Rubin,
hell-and-bent on plastering his own message that, "I keep getting mugged in
my sleep" – indicative of the power the media has to shape our desires
and deliver its message, even when we are most unconscious of it. Rubin pastes
his blurb beside the temple of as many billboarded faces as possible (to date,
somewhere between one and two thousand), by spending most of his time in the
Chicago subways. He may be lonely, but he certainly knows how to reach people.
Cyberjamming: It’s like
using the enemy’s own gun to shoot him in the back. An offspring of
culture-jamming, "cyberjamming" strives towards the same ends,
although using a different means: namely, the Internet. However unfortunate, the
realistic truth is that most counter-media groups who operate on a smaller scale
than The Media Foundation, have limited accessibility to the potential
weapon-like value of the Internet. With worldwide connection, the web provides
ideal places and spaces in which to educate and involve mass audiences in
proactive strategy against advertising manipulations. But alas, who will foot
the bill? Obtaining a website is hardly the problem, the problem is how users
will know where to go and how to get there. Purchasing space on the larger
search engines like Alta Vista for direct links to sites may prove a petty
expense for the McDonald’s corporation, while a serious hurdle for the
McDonald’s boycott organization.
Fortunately, such activists
have much experience in getting over such hurdles and finding some viable and
innovative solutions. Heath Bunting, a pilgrim in proactive net infiltration,
for the purpose of ‘jamming’ major corporations’ electronic medium, has
suggested a method of ‘subversion’ to achieve a means to an end. The
condensed version is that Bunting has created a situation in which the vehicle
carrying messages from the corporation to the consumer is essentially stuck in
traffic. A recent example is his attack on Nike and Adidas shoe retailers. When
a user initiates a query, his/her search engine sends back a dozen or so initial
links sending the user immediately to Bunting’s created space which reads
"URL FOR RENT" and has a consequential link to the competition. The
forum of cyberspace is a preferred one for Bunting and many of his
contemporaries, assumedly as a result of its said potential to attack large
corporations in a most valuable way – through the most interconnected of all
global media avenues.
Another related site is one
housing a master ‘blacklist’ of those advertisers who have been known to use
"spamming" (2), e-mail, and newsgroup postings as devious guises to
send out their ads. The site suggests several ways in which to counteract this
underhanded method of advertising (3).
In order to reclaim the
tools of communication, we must both rethink, and thus reorganize, the current
standards in advertising. In other words, we need a paradigm shift. This is to
say a transformation that inevitably occurs when sufficient individuals become
proactive towards the same ethical advertising ends. Presented by Linda Starke
in The New Paradigm in Business, is an expanded model of what may be termed a
moral development of the corporation. This model indicates and defines five
fundamental steps in this process that would reform greedy corporations into
more "user-friendly" ethical institutions. The model proceeds with
stage one’s Amoral Corporation, followed by The Legalistic Corporation, The
Responsive Corporation, The Emergent Ethical Corporation, and finally, the much
sought after, Ethical Corporation. Although positive, this model, at this
moment, remains idealistic.
The Amoral Corporation
pursues an ‘ethic’ of victory at any cost, and considers its employees as
mere units of production. The Legalistic Corporation is utterly preoccupied with
operating its business as per the ‘letter of the law’, for purposes
involving only the ability to shield themselves safely from too close a
scrutiny. In most instances, codes of conduct within a legalistic corporation
read like legal doctrines, and are followed inasmuch as is deemed necessary by
executives without having their employees feel to appreciated on the job. The
Responsive Corporation is more committed to responsibility than the preceding
two, yet for purposes of becoming a more economically efficient unit. However,
it does in fact prove more ethical in practice than the others thus far. Stage
four in this process is The Emergent Ethical Corporation that actively promotes
an application of social standards and ethics within the corporation, attempting
to instill the like in the dispositions of its employees. The Ethical
Corporation, representing the ideal model for a corporation, is dedicated to
balancing profits and ethics throughout its corporate culture (4).
Able to barely identify a
semi-handful of corporations turtling towards stage four, counter-advertising
activists have their work cut out for them.
I will, however, briefly
address one such corporation, progressive in the ethical example it sets by its
responsible and accountable advertising strategies. A pioneer in practicing what
they preach, The Body Shop sells diligently the ideals of health and wellness
– bottled or otherwise. The Body Shop has always stood behind their humane
vintage point, as has been demonstrated in their continued support for such
charitable causes as the ethical treatment of animals, fighting violence against
women, and international recycling campaigns. Until recently, I had not fully
appreciated the company’s keen eye on society – and how it affects their
applications in honest, and often satirical, media campaigns. Upon launching
their newest advertising campaign, The Body Shop chose to examine the plight of
women in a culture ‘jammed’ by unrealistic and stagnant standards of
aesthetic beauty – through satire, as well as other clever eye-catching
alternatives (see Appendix B).
Online, The Body Shop
website houses valuable corporate information, including its mission statement,
as well as an account of its practiced ethical principles. Further, any critical
consumer may download a case study detailing how the company accomplishes its
goal to monitor this aforementioned ethical strategy. This sort of information
relays to the public arena how such companies as The Body Shop enforces, and
remains accountable for, these kinds of proactive policies (see Appendix C).
There is hope yet. The Body
Shop maintains a successful business, and likely its frontline advertising
executives have enough conscience to sleep at night. It is, however, the lack of
a moral majority in this business that perhaps is driving the value out of
advertising. Consumers are no longer oblivious to the underhanded methods,
however obscure they may be, of major corporations to manipulate the media and
ourselves, for the ultimate capital reward. It takes such creative individuals
as those involved with The Media Foundation to demonstrate how devastating and
far-reaching the capital effect is upon our lives; our standards, ideals,
self-concepts, and even our most treasured aspirations.
TALK IS CHEAP
CHANGE IS GOOD
ADBUST!!
Notes
1. Visit Adbusters at www.adbusters.org
2. The concept of
"spamming" was elaborated by guest lecturer Peter Roosen-Runge,
who asserted that
"spamming" comprises the pump-out advertisements prevalent on
the Internet, which are
transmitted by way of relay computers that propagate e-mail
on their behalf.
Visit the Internet
Advertising Blacklist at www-math.uni-paderborn.de/~axel/BL/
The Adbusters organization is on the cutting edge of cyberjamming tools and
tactics,
and welcomes any such input
at aXel @ adbusters.org
This exerpt is a condensed,
and paraphrased version of Linda Starke’s discourse on the model of the moral
development of corporations, from The
New Paradigm in Business.
References
http://www.the-body-shop.com
– website for The Body Shop corporation
http://www.adbusters.org
– website for The Media Foundation’s "Adbusters" online magazine
(also in print as a Canadian alternative media publication)
http://www.shift.com
– website for the online "Shift" magazine (also in print as a
Canadian alternative media publication)
http://www.utne.com
– website for the online "Utne Reader" magazine (also in print as an
American alternative media publication)
http://www.reason.com
– website for the online "Reason" magazine (also in print as an
American alternative media publication)
From:
http://educate-yourself.org/cnpropagandaforthemasses4oct01.html
Propaganda
for the Masses:
Reflections on Hitler's use of Emotions in Order
to Manipulate
Reason and Public Opinion.
Part One. By Rick
Smith Oct. 4, 2001
While the world is still in
the grips of an emotional frenzy in the wake of the terrorist attacks on New
York and Washington, it is worth considering some of Adolf Hitler's observations
on how such emotions are used to manipulate people. Emotional responses have
been the source of untold suffering and bloodshed throughout the course of human
history. As natural as emotions are, they are easily manipulated by external
forces and can be used to control reason and action. Communications and
propaganda experts have been aware of this fact for a very long time. Hitler
understood this only too well. That Hitler was a monster can hardly be
questioned; the fact that he possessed a kind of mad genius and a keen
understanding of how the masses think (or, rather, do not think) is equally
unquestionable.
Hitler referred to emotion
as a kind of doorway or "gateway" into the more suggestible regions of
the human heart and mind; once this door has been opened it is possible to
"get inside" of people's heads and direct their responses and actions.
In the wake of the economic collapse in Germany and the humiliations heaped upon
the German people after World War I, Hitler was able to use the emotions that
emerged from these events to manipulate public opinion and, ultimately, to lead
his people into a terrible and destructive war. Where emotion was lacking, such
as in the case of the Jewish question, events were staged or phony stories
planted in order to fire people's emotions in the direction that the government
wanted to go. That a tyrant like Hitler was aware of and effectively used such
knowledge should put all of us on guard. No intelligent person should allow
himself or herself to be goaded into blindly supporting the actions of
government merely because their emotions tell them so. What is right can only be
determined in a state of emotional calm.
Once your emotions are
turned off, you can turn to the task of analyzing the causes, effects, and
solutions to the problems that face you. There is nothing inherently wrong with
emotion, it is a necessary part of the human psyche; it is that which has
allowed us to develop a sense of empathy for our fellow human beings. There is,
for instance, nothing wrong with feeling emotion for the innocent victims of the
World Trade Center attack, but one must also grant the same emotional sympathy
to the sufferings of the innocent people that have been killed worldwide by the
decisions and actions of the global super powers. Only fools allow themselves to
guided by their emotions; to do so is to allow yourself to become a mindless
puppet of those who still practice Hitler's advanced techniques of manipulation.
With the advent of television and mass communication devices, modern propaganda
has become much more subtle, effective, and powerful. I am thus providing below
a few snippets of Hitler's observations on the power of propaganda and of the
crucial role that emotion plays in any effective propaganda campaign. By
educating oneself in the techniques of propaganda, the reader stands a better
chance of operating as a free and independent agent (rather than just as a part
of a gigantic mindless mass).
In the end, the reader
should remember that propaganda is used as much today as it ever was, and
perhaps even more; if we allow ourselves to be manipulated by the spinmasters we
could be led to the same unspeakable end that the German people faced. Let us
sincerely try to avoid subjecting ourselves to lessons that, in a better world,
should have been learned years ago. I would also like to warn my readers to be
wary of the those who would stage and fabricate events designed to create
emotional responses, as Hitler once did, in order to facilitate what would
otherwise be unpopular agendas. To think that such ideas are mere
"conspiracy theory" is to make a conscious decision to ignore history.
Powerful people manipulate the masses quite consciously and quite deliberately,
they always have, and probably always will (unless the masses wise up). A brief
perusal of the writings of such people as Walter Lippmann, George Creel, Edward
Bernays, and other influential government advisers should make this painfully
clear; western academics and politicians have learned from the mass mind
manipulation techniques employed by the Nazis, and incorporated them into newer,
subtler, and better techniques. Propaganda for the Masses is the first part in
what I hope to be an ongoing effort designed to lift the proverbial veil of
global deception. Consider the excerpts provided below and then ask your self
how these might apply to the modern world:
Excerpts from Adolf Hitler's
Mein Kampf:
"All great movements
are popular movements, volcanic eruptions of human passions and emotional
sentiments, stirred either by the cruel Goddess of Distress or by the firebrand
of the word hurled among the masses ... Only a storm of hot passion can turn the
destinies of peoples ... It alone gives its chosen one the words which like
hammer blows can open the gates to the heart of a people ...
"The function of
propaganda does not lie in the scientific training of the individual, but in
calling the masses' attention to certain facts, processes, necessities, etc.,
whose significance is thus for the first time placed within their field of
vision. The whole art consists in doing this so skillfully that everyone will be
convinced that the fact is real, the process necessary, the necessity correct,
etc. But since propaganda is not and cannot be the necessity in itself, since
its function, like the poster, consists in attracting the attention of the
crowd, and not in educating those who are already educated or who are striving
after education and knowledge, its effect for the most part must be aimed at the
emotions and only to a very limited degree at the so-called intellect...The more
modest its intellectual ballast, the more exclusively it takes into
consideration the emotions of the masses, the more effective it will be...
"The art of propaganda
lies in understanding the emotional ideas of the great masses and finding,
through a psychologically correct form, the way to the attention and thence to
the heart of the broad masses. The receptivity of the great masses is very
limited, their intelligence is small, but their power of forgetting is enormous.
In consequence of these facts, all effective propaganda must be limited to a
very few points and must harp on these slogans until the last member of the
public understands what you want him to understand [or believe]...
"The war propaganda of
the English and Americans were psychologically sound. By representing the
Germans to their own people as barbarians and Huns, they prepared the individual
soldier for the terrors of war, and thus helped to preserve him from
disappointments. After this, the most terrible weapon that was used against him
seemed only to confirm what his propagandists had told him; it likewise
reinforced his faith in the truth of his government's assertions, while on the
other hand it increased his rage and hatred against the vile enemy For the cruel
effects of the weapon, whose use by the enemy he now came to know, gradually
came to confirm for him the 'Hunnish' brutality of the barbarous enemy, which he
had heard all about; and it never dawned on him for a moment that his own
weapons possibly, if not probably, might be even more terrible in their
effects...
"The function of
propaganda is, for example, not to weigh and ponder the rights of different
people, but exclusively to emphasize the one right which it has set out to argue
for. Its task is not to make an objective study of the truth, in so far as it
favors the enemy, and then set it before the masses with academic fairness; its
task is to serve our own right, always and unflinchingly...
"The broad mass of a
nation does not consist of diplomats, or even professors of political law, or
even individuals capable of forming a rational opinion; it consists of plain
mortals, wavering and inclined to doubt and uncertainty. As soon as our own
propaganda admits so much as a glimmer of right on the other side, the
foundation for doubt in our own right has been laid. The masses are then in no
position to distinguish where foreign injustice ends and our own begins."
http://cal.jmu.edu/aleysb/chomsky.htm
Propaganda, American-Style
by Noam
Chomsky
Pointing to the massive
amounts of propaganda spewed by government and institutions around the world,
observers have called our era the age of Orwell. But the fact is that Orwell was
a latecomer on the scene. As early as World War I, American historians offered
themselves to President Woodrow Wilson to carry out a task they called
"historical engineering," by which they meant designing the facts of
history so that they would serve state policy. In this instance, the U.S.
government wanted to silence opposition to the war. This represents a version of
Orwell's 1984, even before Orwell was writing.
In 1921, the famous American
journalist Walter Lippmann said that the art of democracy requires what he
called the "manufacture of consent." This phrase is an Orwellian
euphemism for thought control. The idea is that in a state such as the U.S.
where the government can't control the people by force, it had better control
what they think. The Soviet Union is at the opposite end of the spectrum from us
in its domestic freedoms. It's essentially a country run by the bludgeon. It's
very easy to determine what propaganda is in the USSR: what the state produces
is propaganda.
That's the kind of thing
that Orwell described in 1984 (not a very good book in my opinion). 1984 is so
popular because it's trivial and it attacks our enemies. If Orwell had dealt
with a different problem-- ourselves--his book wouldn't have been so popular. In
fact, it probably wouldn't have been published.
In totalitarian societies
where there's a Ministry of Truth, propaganda doesn't really try to control your
thoughts. It just gives you the party line. It says, "Here's the official
doctrine; don't disobey and you won't get in trouble. What you think is not of
great importance to anyone. If you get out of line we'll do something to you
because we have force." Democratic societies can't work like that, because
the state is much more limited in its capacity to control behavior by force.
Since the voice of the people is allowed to speak out, those in power better
control what that voice says--in other words, control what people think. One of
the ways to do this is to create political debate that appears to embrace many
opinions, but actually stays within very narrow margins. You have to make sure
that both sides in the debate accept certain assumptions--and that those
assumptions are the basis of the propaganda system. As long as everyone accepts
the propaganda system, the debate is permissible.
The Vietnam War is a classic
example of America's propaganda system. In the mainstream media--the New York
Times, CBS, and so on-- there was a lively debate about the war. It was between
people called "doves" and people called "hawks." The hawks
said, "If we keep at it we can win." The doves said, "Even if we
keep at it, it would probably be too costly for use, and besides, maybe we're
killing too many people." Both sides agreed on one thing. We had a right to
carry out aggression against South Vietnam. Doves and hawks alike refused to
admit that aggression was taking place. They both called our military presence
in Southeast Asia the defense of South Vietnam, substituting "defense"
for "aggression" in the standard Orwellian manner. In reality, we were
attacking South Vietnam just as surely as the Soviets later attacked
Afghanistan. Consider the following facts. In 1962 the U.S. Air Force began
direct attacks against the rural population of South Vietnam with heavy bombing
and defoliation . It was part of a program intended to drive millions of people
into detention camps where, surrounded by barbed wire and armed guards, they
would be "protected" from the guerrillas they were supporting--the
"Viet Cong," the southern branch of the former anti-French resistance
(the Vietminh). This is what our government calls aggression or invasion when
conducted by some official enemy. The Saigon government had no legitimacy and
little popular support, and its leadership was regularly overthrown in
U.S.-backed coups when it was feared they might arrange a settlement with the
Viet Cong. Some 70,000 "Viet Cong" had already been killed in the
U.S.-directed terror campaign before the outright U.S. invasion took place in
1972.
Like the Soviets in
Afghanistan, we tried to establish a government in Saigon to invite us in. We
had to overthrow regime after regime in that effort. Finally we simply invaded
outright. That is plain, simple aggression. But anyone in the U.S. who thought
that our policies in Vietnam were wrong in principle was not admitted to the
discussion about the war. The debate was essentially over tactics.
Even at the peak of
opposition to the U.S. war, only a minuscule portion of the intellectuals
opposed the war out of principle--on the grounds that aggression is wrong. Most
intellectuals came to oppose it well after leading business circles did--on the
"pragmatic" grounds that the costs were too high.
Strikingly omitted from the
debate was the view that the U.S. could have won, but that it would have been
wrong to allow such military aggression to succeed. This was the position of the
authentic peace movement but it was seldom heard in the mainstream media.
If you pick up a book on
American history and look at the Vietnam War, there is no such event as the
American attack on South Vietnam. For the past 22 years, I have searched in vain
for even a single reference in mainstream journalism or scholarship to an
"American invasion of South Vietnam" or American
"aggression" in South Vietnam. In America's doctrinal system, there is
no such event. It's out of history, down Orwell's memory hole.
If the U.S. were a
totalitarian state, the Ministry of Truth would simply have said, "It's
right for us to go into Vietnam. Don't argue with it." People would have
recognized that as the propaganda system, and they would have gone on thinking
whatever they wanted. They would have plainly seen that we were attacking
Vietnam, just as we can see the Soviets are attacking Afghanistan.
People are much freer in the
U.S., they are allowed to express themselves. That's why it's necessary for
those in power to control everyone's thought, to try and make it appear as if
the only issues in matters such as U.S. intervention in Vietnam are tactical:
Can we get away with it? There is no discussion of right or wrong.
During the Vietnam War, the
U.S. propaganda system did its job partially but not entirely. Among educated
people it worked very well. Studies show that among the more educated parts of
the population, the government's propaganda about the war is now accepted
unquestioningly. One reason that propaganda often works better on the educated
than on the uneducated is that educated people read more, so they receive more
propaganda. Another is that they have jobs in management, media, and academia
and therefore work in some capacity as agents of the propaganda system--and they
believe what the system expects them to believe. By and large, they're part of
the privileged elite, and share the interests and perceptions of those in power.
On the other hand, the
government had problems in controlling the opinions of the general population.
According to some of the latest polls, over 70 percent of Americans still
thought the war was, to quote the Gallup Poll, "fundamentally wrong and
immoral, not a mistake." Due to the widespread opposition to the Vietnam
War, the propaganda system lost its grip on the beliefs of many Americans. They
grew skeptical about what they were told. In this case there's even a name for
the erosion of belief. It's called the "Vietnam Syndrome," a grave
disease in the eyes of America's elites because people understand too much.
Let me gives on more example
of the powerful propaganda system at work in the U.S.--the congressional vote on
contra aid in March 1986. For three months prior to the vote, the administration
was heating up the political atmosphere, trying to reverse the congressional
restrictions on aid to the terrorist army that's attacking Nicaragua. I was
interested in how the media was going to respond to the administration campaign
for the contras. So I studied two national newspapers, the Washington Post and
the New York Times. In January, February, and March, I went through every one of
their editorials, opinion pieces, and the columns written by their own
columnists. There were 85 pieces. Of these, all were anti-Sandinista. On that
issue, no discussion was tolerable.
There are two striking facts
about the Sandinista government, as compared with our allies in Central
America--Honduras, Guatemala, and El Salvador. One is that the Sandinista
government doesn't slaughter its population. That's a well-recognized fact.
Second, Nicaragua is the only one of those countries in which the government has
tried to direct social services to the poor. This too, is not a matter of
debate; it is conceded on all sides to be true.
On the other hand, our
allies in Guatemala and El Salvador are among the world's worst terrorist
states. So far in the 1980s, they have slaughtered over 150,000 of their own
citizens, with U.S. support. These nations do little for their populations
except torture, terrorize, and kill them. Honduras is a little different. In
Honduras, there's a government of the rich that robs the poor. It doesn't kill
on the scale of El Salvador or Guatemala, but a large part of the population is
starving to death.
So in examining the 85
editorials, I also looked for these two facts about Nicaragua. The fact that the
Sandinistas are radically different from our Central American allies in that
they don't slaughter their population was not mentioned once. That they have
carried out social reforms for the poor was referred to in two phrases, both
buried. Two phrases in 85 columns on one crucial issue, zero phrases in 85
columns on another.
That's really remarkable
control over thought on a highly debated issue. After that I went through the
editorials on El Salvador and Nicaragua from 1980 to the present; it's
essentially the same story. Nicaragua, a country under attack by the regional
superpower, did on October 15, 1985, what we did in Hawaii during World War II:
instituted a state of siege. There was a huge uproar in the mainstream American
press--editorials, denunciations, claims that the Sandinistas are totalitarian
Stalinist monsters, and so on.
Two days after that, on
October 17, El Salvador renewed its state of siege. Instituted in March 1980 and
renewed monthly afterwards, El Salvador's state of siege was far more harsh than
Nicaragua's. It blocked freedom of movement and virtually all civil rights. It
was the framework within which the U.S.-trained and -organized army has carried
out torture and slaughter.
The New York Times
considered the Nicaraguan state of siege a great atrocity. The Salvadoran state
of siege, far harsher in its methods and it application, was never mentioned in
160 New York Times editorials on Nicaragua and El Salvador, up to now [mid-1986,
the time of this interview].
We are often told the
country is a budding democracy, so it can't possibly be having a state of siege.
According to news reports on El Salvador, Duarte is heading a moderate centrist
government under attack by terrorists of the left and of the right. This is
complete nonsense. Every human rights investigation, even the U.S. government in
private, concedes that terrorism is being carried out by the Salvadoran
government itself. The death squads are the security forces. Duarte is simply a
front for terrorists. But that is seldom said publicly. All this falls under
Walter Lippmann's notion of "the manufacture of consent." Democracy
permits the voice of the people to be heard, and it is the task of the
intellectual to ensure that this voice endorses what leaders perceive to be the
right course. Propaganda is to democracy what violence is to totalitarianism.
The techniques have been honed to a high art in the U.S. and elsewhere, far
beyond anything that Orwell dreamed of. The device of feigned dissent (as
practiced by the Vietnam- era "doves," who criticized the war on the
grounds of effectiveness and not principle) is one of the more subtle means,
though simple lying and suppressing fact and other crude techniques are also
highly effective.
For those who stubbornly
seek freedom around the world, there can be no more urgent task than to come to
understand the mechanisms and practices of indoctrination. These are easy to
perceive in the totalitarian societies, much less so in the propaganda system to
which we are subjected and in which all too often we serve as unwilling or
unwitting instruments.
[This is an expanded version
of an article excerpted from Propaganda Review (Winter 1987-88). Subscriptions:
$20/yr. (4 issues) from Media Alliance, Fort Mason, Bldg. D, San Francisco, CA
94123. This article was drawn from an interview conducted by David Barsamian of
KGNU-Radio in Boulder, Colorado (cassettes available for sale; write David
Barsamian, 1415 Dellwood, Boulder, CO 80302), and an essay from Chomsky's book
Radical Priorities, edited by C.P. Otero (1984). Black Rose Books, 3981
Boulevard St. Laurent, Montral H2W 1Y5, Quebec, Canada.]
2/6/02
dave@davesweb.cnchost.com
or: You Can See All the Blood
as You Walk Down Hollywood Boulevard
(With apologies to The Kinks)
David McGowan
January 20, 2002
(McGowan is the author of Understanding the F-Word: American Fascism
and the Politics of Illusion)
"Radio and television are psychological warfare."
Herbert Mullin, falsely accused and convicted Santa Cruz serial
killer and the son of a highly-decorated WWII Army Captain
I couldn't help noticing that Black Hawk Down has now gone into
general release. When I first heard about this film, I assumed that
it would be a shameless glorification of a reprehensible,
imperialist, oil-driven U.S. military operation that was itself
shamelessly glorified as a humanitarian mission to feed the hungry.
But I was wrong.
As it turns out, the movie is much more than that. It is
also, for instance, a shameless glorification of a convicted child
rapist and sodomizer. And, lest we forget, it is one of the most
obvious pieces of government-sanctioned, pro-war propaganda to come
out of Hollywood since .... you know, I think we may have to go all
the way back to Behind Enemy Lines on this one.
But at least that film didn't romanticize the military
exploits of a child molester. For the record, the 'hero' of Black
Hawk Down, Ranger John Grimes, was given a deceptive name-change by
the filmmakers following a request from the Pentagon's PR people. It
seems the Ranger's real name was John Stebbins – who is currently
serving a 30-year-sentence for an attack on a child under the age of
12. Stebbins' ex-wife told the New York Post: "They are going to make
millions off this film in which my ex-husband is portrayed as an All-
American hero when the truth is he is not." (1)
He sure looks like one up there on the silver screen though.
How could he not be when he is being brought to screen-life by
Hollywood hunk Ewan McGregor? Far be it from me to suggest that the
larger-than-life hero up there is actually a convicted pedophile.
That would be like, say, suggesting that the hero played by Brad Pitt
in that wretched movie about Tibet was actually a Nazi
seeking 'proof' of Aryan supremacy.
Of course, using the magic of Hollywood to transform
repellent cultural and historical figures into screen heroes is
standard operating procedure in Tinseltown. It is something that the
film industry really excels at. We are talking here, after all, about
an industry that recently gave no less an appalling figure than the
Marquis de Sade a Hollywood makeover.
But the point that I started to make before getting
sidetracked is that the repugnant piece of celluloid known as Black
Hawk Down is a painfully transparent piece of propaganda – its
release coming precisely at a time when the Bush team is beginning to
drop broad hints that Somalia could be very highly-placed on the list
of nations about to suffer from Sudden Aerial Bombardment Syndrome –
all in the name of fighting terrorism, of course.
Expansion of the war into Somalia could prove to be a tough
sell with the American people though. Despite being conditioned and
encouraged to have famously short memories, there is always the
danger that some of us might remember those graphic images of a
Special Forces operative being drug through the streets of Mogadishu.
Good thing then for the Washington crowd that this film came along at
such an opportune time – and amid a clamor of cravenly gushing
reviews.
What better way to sell a war than on the nation's theater
screens? According to an article in the Online Journal, "Many who
have seen the film report leaving the theater feeling angry, itching
to 'kick some ass.'" (2) Nothing like some emotionally-charged
propaganda to fire up the people for a war of 'revenge' against a
nation of people depicted as barbarians.
But wait a minute, you say. This film can't be deliberate
propaganda. Production on this movie had to have begun long before
September 11, long before there was a 'War on Terrorism.' The timing
of the movie must then be just a bizarre and fortuitous coincidence –
just like the timing of all the other war and 'spy' films flooding
the nation's theaters is just a coincidence.
The release of the aforementioned Behind Enemy Lines, just as
real-life Special Forces operatives were being sent behind 'enemy'
lines, was surely just a coincidence. Likewise for Spy Games and, so
as not to leave out the little ones, Spy Kids. And Collateral Damage
(Ahhnuld takes on the terrorists), We Were Soldiers (Mel Gibson helps
rewrite the Vietnam War), Hart's War (Bruce Willis helps rewrite
WWII), The Farm (aka the CIA's training center in Langley, Virginia),
Bad Company (more of the same), Spy Kids 2, The Accidental Spy, I
Spy, and the further adventures of fictional 'spies' James Bond and
Jack Ryan.
And it is obviously just a coincidence that the television
networks are quickly filling timeslots with spies as well, having
premiered no less than three new series glorifying and romanticizing
the exploits of the CIA just weeks after what was purportedly the
most massive intelligence 'failure' in U.S. history.
We know that this was a coincidence because these new series
were obviously 'in the can' long before 'the agency,' as CBS refers
to it, had any inkling that it would be thrust into the limelight in
September as it suddenly earned a much more visible role in
formulating U.S. foreign and military policy, and a much larger
budget.
As a brief aside, I just realized that I wrote "U.S. foreign
and military policy" as though those were two separate and distinct
concepts. Sorry. I have no idea what the hell I was thinking.
Anyway, the point here is that we know that the CIA's crack
counterterrorism experts had no hint of the impending attacks because
if they did they would have heroically risen to the task of saving
the lives of the doomed inhabitants of the World Trade Center towers,
just like they do every week on TV.
And that, of course, didn't happen.
So it had to be just uncanny timing that brought these new
shows to America's television screens at the precise time that the
much-maligned CIA was desperately in need of something to burnish its
image.
And in a not-so-shocking development, the CIA is now openly
participating in the crafting of its image for both the big and small
screens. This is in stark contrast to the old days, when the
intelligence community covertly participated in crafting its image –
and the images of just about everything else, for that matter. Like
the Hollywood crowd is fond of saying, it is the agents who wield the
real power in Tinseltown.
With military and intelligence types overrunning both the big
and small screens, some might be tempted to ponder whether there
isn't a coordinated psychological warfare campaign being waged
against the American people to condition them to support a serious
expansion of the 'War on Terrorism.' In retrospect, some skeptics in
the crowd might even wonder whether the country hasn't been being
primed for a major war for quite some time.
We have been, after all, bombarded with Steven Spielberg's
masterful work of flag-waving war-glorification we all know and love
as Saving Private Ryan. Some have noted, by the way, that Spielberg's
films are structured to resemble nothing so much as Nazi propaganda
films of the 1930s. Not unlike, for example, the films of Leni
Riefenstahl – the master propagandist for the Reich who gave the
world Triumph of the Will. If you aren't familiar with Riefenstahl,
you will be soon: she's about to get a Hollywood makeover courtesy of
actress/director Jodie Foster.
But that's beside the point ... sort of.
We also had to endure that wretched bit of historical
revisionism known as Pearl Harbor, which was made by the very same
Jerry Bruckheimer who is now offering us Black Hawk Down. Before
Pearl Harbor, he gave us Enemy of the State and a godawful cable
television series by the name of Soldier of Fortune, Inc.
One of Bruckheimer's earlier works was the feature-length
recruiting film, Top Gun, that was released not long before the 1990s
dawned as the decade in which it would become a rather routine
practice for America's 'top gun' pilots to bomb the piss out of
various defenseless nations that are selfishly hoarding their oil
reserves.
In those days, Bruckheimer was working with co-propagandist
co-producer Don Simpson – who opted out of the partnership when he
was found dead in his home, allegedly the victim of a drug overdose
or of natural causes, depending on who is telling the story.
Simpson's personal physician and apparent drug supplier had likewise
been found dead, in Simpson's poolhouse, and likewise was said to be
the victim of a drug overdose. Shit happens.
In Hollywood, shit happens all the time. Since shortly after
its emergence circa 1915 as the entertainment capital of the world,
Hollywood's streets have been littered with the bodies of those who
have died under, shall we say, questionable circumstances.
In September of 1920, Olive Thomas - a beautiful and very
young actress with everything to live for - purportedly killed
herself by overdosing on, of all things, mercury. One year later,
actress Virginia Rappe turned up dead at a party hosted by silent
film star Roscoe "Fatty" Arbuckle. In February of the next year,
1922, producer William Desmond Taylor - a former British military
officer whose life is shrouded in mystery to this day - was found
shot to death.
In 1923, matinee idol Wally Reid was found dead in a padded
cell at the mental hospital to which he had been confined. Reid was
just thirty years old. His death was attributed to his morphine
addiction, though how he would have fed that habit in a mental
hospital remains a mystery. His widow then starred in an anti-drug
film that she had lobbied for. The film was produced by Thomas Ince –
a partner of D.W. Griffith, who gave the Ku Klux Klan a rather
notorious Hollywood makeover in Birth of a Nation. Ince caught a
bullet to the head in November of 1924 while attending a private
party aboard William Randolph Hearst's yacht (though it was claimed
that Ince died of natural causes, a story propagated primarily by
Hearst's own newspapers).
And so began a tradition of unsolved and/or covered-up deaths
that plagues Hollywood to this day. And the funny thing is that if
you scratch beneath the surface of virtually any of these untimely
deaths, you find the same cast of characters that you find lurking
about the fringes of any self-respecting political 'conspiracy
theory' – namely Mafioso, native and imported fascists, drug
traffickers, and intelligence operatives.
As another brief aside, I just realized that I
wrote "Mafioso, native and imported fascists, drug traffickers, and
intelligence operatives," which is kind of like saying "Larry, Curly,
Moe, and the Three Stooges."
The bodies continue to pile up in Hollywood to this day.
Recent additions include: Robert Blake's wife, who acquired some
unwanted bullet holes in her head; William Shatner's wife, who ...
uhhh ... drowned ("we've got you covered, Captain"); singer Aaliyah,
whose plane - flown by a Florida-trained pilot with drug connections -
went down because it was reportedly overweight, despite the fact
that much of the band's equipment was reportedly left behind ("can we
move some of this equipment out of here? - we have to make room for
all these drugs"); and comedian Phil Hartman, whose shooting death
was covered up with a murder/suicide story that had more holes in it
than an Al Queda tunnel complex.
But here I have digressed at some length.
The point I was trying to make is that a psywar campaign has
been in effect for quite some time now to condition the American
people for what has been occasionally billed as World War III. The
operative strategy has been to romanticize and glorify World War II,
creating a kind of perverse wartime nostalgia. Hence we have seen the
likes of Pearl Harbor on the big screen, Band of Brothers on the
small screen, and literary masterpieces like The Greatest Generation
in the bookstores.
And those works of 'art' are just the tip of the psywar
iceberg. The media has become so besotted with images of heroic
military and law enforcement personnel that the World Socialist Web
Site recently felt compelled to commend an otherwise forgettable film
simply because: "its protagonists are not generals or admirals, Navy
Seals, Green Berets, marine commandos, FBI or CIA agents, state
troopers or municipal police officers, sheriffs or deputy sheriffs,
prison wardens or guards, secret service or Treasury agents, customs
inspectors, immigration investigators, federal marshals, judges,
bailiffs, parole or probation officers, Alcohol, Tobacco and Firearms
inspectors, Internal Revenue criminal investigators, Fish and
Wildlife Service special agents, or any other fictional
representatives of law enforcement."
They seem to have left out federal prosecutors, district
attorneys, judge advocate generals, and .... well, I think you get
the idea.
As for the spy trade, there have historically been two
primary representations of intelligence operatives in our propaganda
entertainment media, both of them grotesquely disinformational and at
least one of them crafted by the spooks themselves. That would be the
notion of the intelligence operative as a dashing, cultured, romantic
hero. The prototype for this version of the fictional spy was largely
provided by Ian Fleming, creator of the James Bond character.
Fleming was a British intelligence operative during (and
after) World War II, when he worked closely with Nazi 'defector'
Rudolph Hess and a rather notorious character named Aleister Crowley –
a flamboyant occultist, British and probable U.S. intelligence
operative, and avid German and Nazi propagandist during World Wars I
and II. Fleming's work is now being carried on by the likes of Tom
Clancy, a 'former' Naval Intelligence asset and good friend of George
Bush.
The other predominant image of the intelligence community
that has permeated the media is that of 'the gang that couldn't shoot
straight' – the spy as a well-intentioned, bumbling fool. On the big
screen, the Pink Panther films established the model for this
archetype, along with such television series as Get Smart, which was
co-created by Buck Henry. Henry also was credited with the screenplay
for the film Day of the Dolphin – a blatantly disinformational look
at the work of MK-ULTRA operative John Lilly.
Assisting Henry on creating Get Smart, by the way, was Mel
Brooks, whose most recent endeavor was adapting for the Broadway
stage his film The Producers – an offensive piece of work that
trivializes the crimes of the Third Reich and casts Herr Hitler as a
cartoonish character. Strangely enough, Brooks chose to stage the
gala premier of his play on April 20, 2001 – the birthday of its
protagonist.
Brooks wasn't the first to present a buffoonish screen image
of Hitler. Charlie Chaplin did it far earlier – back in 1940 when The
Great Dictator was released just after the Nazi invasion of the
Soviet Union. The funny thing was though that Charlie pretty much
wore the same makeup to play the Fuhrer that he had been wearing for
the previous twenty years.
Chaplin's toothbrush-mustachioed 'Little Tramp' character was
created and began gracing the nation's silent movie screens just as
the similarly adorned Adolf Hitler began his climb to power in
Germany's fledgling Nazi Party following World War I (after, it
should probably be noted, spending some time in the Pasewalk
Sanitarium). By the time the real Hitler stepped onto the world
stage, therefore, the American people were predisposed to view the
silly-looking character as little more than a joke.
Coincidence? Probably so, but I thought I'd throw it out
there anyway – along with the fact that the two men were born just
hours apart: Chaplin on April 18, 1889 and Hitler on April 20, 1889.
That means that .... actually, I have no idea what the hell that
means, but it seems like it should mean something.
Chaplin, by the way, who shared with Ranger Stebbins a well-
known appetite for underage girls, was among the elite guests aboard
Hearst's yacht the night Ince was killed, may have been present at
the party of his friend Fatty Arbuckle that ended in the death of
Virginia Rappe, and was the guest of honor at a 1972 party at which
Oscar Levant made his last public appearance before being discovered
dead.
Though this warning may be a little belated, I would strongly
caution everyone out there against attending any parties where
Chaplin is on the guest list.
To be continued ......
REFERENCES:
1. Megan Turner "War-Film Hero is a Rapist," New York Post,
December 18, 2001
2. Larry Chin "Black Hawk Down: Hollywood Drags Bloody Corpse of
Truth Across Movie Screens," Online Journal, January 3, 2002
3. David Walsh "Four Recent Films," World Socialist Web Site,
January 5, 2002
2/6/02
dave@davesweb.cnchost.com
This article comes
courtesy of the Center for an Informed America. The original is at:
http://davesweb.cnchost.com/wtc12.html
Celluloid
Heroes: Part II
or: The Tangled Web of Charlie Manson
David McGowan
February 10, 2002
"[In Hollywood], everyone's a producer or a hit man."
Douglas Clark, convicted Sunset Strip serial killer and the son of a
Naval Intelligence operative
"I don't know if you guys have ever in your entire life shot anybody,
but it's really fun to do."
Former child actor Carol Bundy, Clark's convicted accomplice,
speaking to the police
It has frequently been said that if you scratch just beneath the
glossy and oh-so-glamorous exterior of the Hollywood dream factory,
you will find the dark and ugly reality that lurks just beneath the
surface. But just how dark and ugly is that reality?
There is certainly no shortage of
recurrent weirdness that
passes for business-as-usual in the land of make-believe that we like
to call Hollywood. For such a small and tight-knit community, the
Hollywood gang has generated more than its fair share of scandal and
sleaze over the better part of the last century.
Is that merely because, in our
celebrity-obsessed culture,
every misstep of the entertainment community is open to such intense
scrutiny? Would we find the same skeletons in the closets of any
other group in the country that was subjected to such unabashed media
and public voyeurism? Is Hollywood merely a microcosm of America
itself, illuminated by the harsh glare of the stage lights?
If so, then it is truly a strange and
scary world that we
live in. Consider, if you will, just a few recent examples of
Tinseltown weirdness:
Actress Margot Kidder, missing for a week, surfaces in the bushes of
a stranger's yard with her head shaved and a few of her teeth
conspicuously absent.
Actress Anne Heche similarly goes missing, only to show up at the
door of a stranger in the middle of nowhere babbling about being
beamed up to the mothership.
Actor/comedian Martin Lawrence decides to stop traffic one day on
busy Ventura Boulevard by wandering into the street, waving a gun and
shouting incoherently.
Actor Robert Downey, Jr. finds himself sleeping in the bed of a
neighbor, with no idea of how he got there.
Dr. Haing S. Ngor, who purportedly survived the killing fields of
Cambodia before starring in Hollywood's version of events there,
doesn't survive the streets of Hollywood; he is gunned down in
February of 1996.
Actor Jack Nicholson decides to blow off some steam by attacking the
vehicle of another motorist with a golf club.
Someone 'falls' to their death from the apartment of actor James
Caan.
Comic actor Eddie Murphy is arrested in the company of a transsexual
prostitute. He/she dies a violent death shortly afterwards, though
the press doesn't pay much attention.
Actor Hugh Grant is arrested while being serviced by Hollywood
prostitute "Divine" Brown. Brown's pimp subsequently surfaces in the
company of a neo-Nazi singer who claims he was offered money by
Courtney Love to kill Kurt Cobain. The would-be assassin turns up
dead soon after telling this story to filmmaker Nick Broomfield.
Actor Brian Keith, the former star of television's Family Affair, is
found with a fatal bullet wound in his head on June 24, 1997. His
death, ruled a suicide, continues a long tradition of Hollywood
notables allegedly shooting themselves in the head. Included on that
list are Herve "Tatoo" Villechaize (September 4, 1993), Del Shannon
(December 8, 1990), Jon-Erik Hexum (October 12, 1984),
Freddie "Chico" Prinze (January 29, 1977), Pete Duel (December 31,
1971), and George "Superman" Reeve (July 1, 1959).
On June 2, 1996, the 35th anniversary of her grandfather Ernest's
alleged suicide, Margaux Hemingway joins the list of Hollywood
personalities whose deaths are attributed to drug overdoses. Margaux
is the fifth member of her family to have their deaths ruled as
suicides. River Phoenix's death on Halloween, 1993, outside of Johnny
Depp's Viper Room, is also attributed to an overdose.
Nothing unusual about any of that, I
suppose. Looking further
back over the sordid history of Hollywood, consider also these
examples of unexplained weirdness (and these examples are, it should
be noted, just the tip of a very large iceberg):
At Marlon Brando's Los Angeles estate, his son Christian shoots and
kills sister Cheyenne's significant other, Dag Drollet, in May of
1990. Christian and his father claim that the shot was fired
accidentally during a struggle for the gun. There is no sign of a
struggle, and Drollet is found in a sitting position with a cigarette
lighter and the remote control for the TV still in his hands.
Attorney Robert Shapiro, who also represented Robert Evans in the
Cotton Club murder case, cops a plea that results in Brando serving
just five years. By that time, Cheyenne is dead, allegedly a suicide
victim. Christian is later considered as a husband by Bonnie Lee
Bakley, before she decides to marry Robert Blake. Five months later,
Bakley is dead.
Actors and actresses like Clara "It Girl" Bow, Frances Farmer, and
the aforementioned Oscar Levant and Wallace Reid find themselves
forcibly confined to mental hospitals. Farmer later tells of being
beaten, raped, locked in a cage, and administered electroshock
torture (oops ... I meant to say electroshock therapy).
Mob enforcer Johnny Stompanato is found stabbed to death in the home
of actress Lana Turner. Turner's young daughter takes the rap, though
she doesn't appear to be physically capable of committing the crime.
Actress Natalie Wood goes missing in the middle of the night from a
yacht while in the company of actors Robert Wagner and Christopher
Walken. She subsequently is found floating in the Pacific Ocean.
Witnesses later claim that she had been in a motel room with Walken
on Catalina Island.
Aspiring actress Elizabeth "The Black Dahlia" Short is found
literally cut in half, with her mutilated remains left on display, on
January 15, 1947.
People close to actress Sarah Miles develop a knack for committing
suicide. There is the roommate who jumps out of the window of their
shared apartment. There is the ex-gardener who owes Miles money and
decides to gas himself. And of course there is the business manager
who is discovered dead in Sarah's motel room and declared to be the
victim of a drug overdose – though there is reportedly blood on his
face and on the bed in which he is found. Miles has purportedly spent
the night in the room of her co-star at the time – Burt Reynolds.
Actress Thelma "Hot Toddy" Todd turns up dead in her car, allegedly
the victim of suicide by means of carbon monoxide poisoning. Blood on
her face, a cut lip and a dislodged tooth indicate that she was
beaten senseless prior to her .... uhhh .... suicide.
Comedian/actor John Belushi is found dead in his room in a West
Hollywood hotel in March of 1982. He is said to be yet another victim
of a drug overdose. His last known visitors, on the night of his
death, are Robert DeNiro and Robin Williams. The story of his death,
and tragically short life, are then told in a book by former Office
of Naval Intelligence 'briefer' Bob Woodward.
A number of the people involved with the movie Rebel Without a Cause
die mysterious deaths at young ages – including stars James Dean,
Natalie Wood, Sal Mineo (who is stabbed to death outside of his
apartment on November 12, 1976) and Nick Reid (who is found dead of
mysterious causes on February 7, 1968).
Silent film legend Ramon Navarro is found dead in his home on
Halloween day, 1968. He has been brutally tortured and murdered in
what appears for all the world to be a ritual homicide. Two brothers,
both young male prostitutes, are charged with the crime.
Actor Bob Crane is murdered and it subsequently emerges that he had a
secret life that centered around a passion for hardcore, homemade
porno films.
Nothing unusual about any of that
either, I suppose. But
consider the web spun by the man known as Charles Milles Manson. Now
this is where we really cut to the core of the dark underbelly of
Hollywood. Join me then, if you will, as we embark on a journey that
I like to call "Seven Degrees of Charlie Manson."
Before doing so, allow me to
introduce a few members of the
stellar cast of this strange and twisted tale:
Sharon Tate - the most famous of the Manson victims, and the daughter
of Colonel Paul Tate, U.S. Army Intelligence. Tate was killed on
August 9, 1969, along with Abigail Folger, Steven Parent, Jay
Sebring, and Voytek Frykowski.
Kenneth Anger - former child-star turned underground filmmaker, and
the son of a 'military-industrial complex' engineer who developed
machine-guns for Kellogg during WWII and later worked for Douglas
Aircraft.
Judy Garland - child actor and singer who was kept drugged on a daily
basis from about the age of five, first by her mother, and then by
the studios. Garland was found dead on the summer solstice of 1969,
just seven weeks before the Tate/LaBianca murders.
John Phillips - musician/composer who founded the singing group The
Mamas and the Papas and who was born in a military hospital, the son
of a career Marine officer. John later attended the U.S. Naval
Academy.
Roy Radin - theatrical producer who specialized in staging vaudeville
revival shows. Radin was working with Robert Evans to produce The
Cotton Club when he was shot some twenty-seven times in the head in
1983. Radin began his career while still a teenager by staging shows
in Masonic temples.
The Hell's Angels - the most well-known of the biker gangs that arose
after WWII due to the efforts of returning OSS and military officers.
The Angels were led by Ralph "Sonny" Barger, reportedly an informant
for the Oakland Police Department who was also on the payroll of the
Bureau of Alcohol, Tobacco and Firearms.
Jayne Mansfield - actress/sex symbol who was decapitated, allegedly
in a car accident, on June 29, 1967. According to Jayne's daughter,
Mansfield's parties featured the rich and famous getting naked and
filming themselves. Tate and husband Roman Polanski were reportedly
the producers and collectors of 'fame porn' as well.
Robert F. Kennedy - U.S. Senator and presidential candidate who was
assassinated in Hollywood on June 5, 1968. Kennedy was shot from
point-blank range behind his right ear by Sirhan Sirhan, who was
standing several yards in front of and to the left of the candidate.
Like I said, shit happens.
http://davesweb.cnchost.com/wtc12.html
Celluloid
Heroes: Part II
or: The Tangled Web of Charlie Manson
Continued
Without further ado, we begin this journey - for no
particular reason - with the aforementioned Phil Hartman, who was a
highschool friend of Lynette "Squeaky" Fromme, who later became a
disciple of Charlie Manson and the attempted assassin of President
Gerald Ford, who was once a roommate of modeling entrepreneur Harry
Conover, whose wife was the infamous Candy Jones, who was 'treated'
by CIA-linked hypnotist William Jennings Bryan, who also 'treated'
the purported Boston Strangler, Albert DeSalvo, whose name was
written repetitively throughout the diaries of Sirhan Sirhan, who was
also 'treated' by Bryan, who served as the technical director on The
Manchurian Candidate, which was directed by John Frankenheimer, at
whose beach house a dinner was held on June 5, 1968 whose attendees
included "Mama" Cass Elliot, Roman Polanski, and Sharon Tate, who was
killed just over a year later by followers of Charlie Manson, whose
music was recorded by Doris Day's son, music producer Terry Melcher,
who lived with girlfriend Candace Bergen at 10050 Cielo Drive the
year before it became a slaughterhouse after being rented by
Polanski, who initially was slated to pen the screenplay for Day of
the Dolphin, which purported to tell the story of Dr. John Lilly, who
was a friend of Timothy Leary, whose Mellon family-owned Millbrook
estate was frequently visited by Dr. Max "Feelgood" Jacobson, who
once 'treated' Judy Garland and who served as the personal physician
of John Kennedy, whose assassination prompted the shelving of the
film The Manchurian Candidate by its star, Frank Sinatra, who was a
frequent companion of fellow 'Brat Packer' Sammy Davis, Jr., who was
an acknowledged member of Anton LaVey's Church of Satan, from where
Manson recruited killers Bobby "Cupid" Beausoleil and Susan "Sexy
Sadie" Atkins, who confessed to her cellmates that she had stabbed to
death actress Sharon Tate, who was inducted into witchcraft on the
set of the Polanski-directed film The Fearless Vampire Killers by
Alexander "King of the Witches" Saunders, who received 'training' as
a child from Aleister Crowley, whose followers included Anton LaVey
and fellow Church of Satan member Kenneth Anger, who was the roommate
(and probable lover) of Family member Bobby Beausoleil, who once
appeared in an underground film titled Mondo Hollywood, which also
featured hairdresser and Manson victim Jay Sebring, who was a former
lover of Sharon Tate, who was a friend of a wealthy widow named
Charlene Caffritz, who played host to - and filmed the exploits of -
Charlie and some of his girls, who also lived for a time with Beach
Boy Dennis Wilson, who recorded a song penned by Charlie, who was an
occasional member of the entourage of Mama Cass, who was listed as a
defense witness for Charlie's trial (but never called), as was her
Mamas and the Papas band-mate John Phillips, who was close to
Polanski, Tate, Melcher, Mick Jagger, Keith Richards, Cass Elliot,
and film producer Robert Evans, who was working with - and very
likely contracted the execution killing of - Roy Radin, whose
assistant was Michael DeVinko aka Mickie DeVinko aka Mickie Deans,
who married - just a few months before her untimely death - Wizard of
Oz star Judy Garland, who as a teen was flooded with phone messages
and telegrams by admirer Oscar Levant, whose dead body was found by
Candace Bergen, who - as a photojournalist for Life magazine -
covered the preempted presidential campaign of Robert Kennedy, who
was romantically linked to Marilyn Monroe, who was also linked to
Anton LaVey, who appeared in Kenneth Anger's Invocation of My Demon
Brother (released in August of 1969) along with Bobby Beausoleil,
Mick Jagger and Keith Richards, who was a guest at the 1968 London
wedding of Sharon Tate to Roman Polanski, who - during a nude photo
shoot - molested a thirteen-year-old girl at the home of Jack
Nicholson, who was a friend of Cass Elliot, as were Robert Evans and
Manson victims Jay Sebring, Voytek Frykowski and Abigail Folger, who
provided funding for the Himalayan Academy, which Kenneth Anger
helped form with Timothy Leary, who was at the side of the stage at
the 1969 Altamont concert where - while the Rolling Stones played the
Process Church-inspired Sympathy for the Devil* - a fan was killed on
film by the Hell's Angels, who had been romanticized and transformed
into anti-establishment heroes in the film Scorpio Rising by Kenneth
Anger and the book Hell's Angels by Hunter S. Thompson, both of whom
have been accused of making snuff films** for private collectors,
which was also a favorite pastime of Charlie Manson, one of whose
underage recruits was Didi Lansbury, who had written permission to
travel with Charlie from her mother, Angela Lansbury, who starred as
the control agent in The Manchurian Candidate, which was based on the
novel of the same name by Richard Condon, who once served as a
publicist for Walt Disney, who once owned the home where the Manson
Family slaughtered Leno LaBianca and wife Rosemary, who was involved
in the trafficking of drugs, as were many of those in this twisted
saga, including Charles Manson, victims Voytek Frykowski and Abigail
Folger, John Phillips and Kenneth Anger, who was a huge fan of the
dark and violent imagery of the Rosicrucian-inspired, L. Frank Baum-
penned Oz books, which inspired the band The Magick Powerhouse of Oz,
which was led by Bobby Beausoleil, who was also at one time in the
band Love with Arthur Lee, four of whose members later turned up dead
or missing and presumed dead, as did Charlene Caffritz, Cass Elliot
(who allegedly choked on a sandwich in 1974), Dennis Wilson (who
allegedly drowned on December 28, 1983), and Gram Parsons, whose
corpse was stolen and burned at Joshua Tree on the autumnal equinox
of 1973 by his band's road manager, Phil Kaufman, who was a good
friend from prison of Charlie Manson, who met (at Cass Elliot's
house) and received money from victim Abigail Folger, who also funded
Kenneth Anger, who at various times lived with both Jimmy Page (who
purchased Crowley's home and many of his artifacts) and Keith
Richards & Anita Pallenberg, whose home - in 1979 - yielded the body
of a teenager who had been shot to death, as was John Lennon the next
year by Mark David Chapman, who shortly before doing so met with -
and offered a gift of live bullets to - Kenneth Anger, whose films
were cited as a major influence by photographer Robert Mapplethorpe,
who was implicated by witnesses in the Halloween 1981 execution
killing of New York photographer Ronald Sisman (a close associate of
Roy Radin), who was reportedly in possession of a snuff film of one
of the Son of Sam murders, which were allegedly committed by David
Berkowitz, who from prison accurately described the Sisman killing
before it happened and who took the fall for the Son of Sam murders
to cover up the involvement of others, including possibly Roy Radin
and wealthy art dealer Andrew Crispo, who admitted being present at
the site of a ritual murder which was committed by a man named
Bernard LeGeros, who was the son of a State Department official, as
was Pic Dawson, who was a regular member of the entourage of Cass
Elliot, as was a one-time bodyguard of publisher Larry Flynt named
Bill Mentzer, who was convicted of killing Radin and who was
suspected of involvement in numerous other contract murders,
including some of those attributed to David Berkowitz, who
was 'examined' by psychiatrist/hypnotist Daniel Schwartz, as was Mark
David Chapman, who was obsessed with the film The Wizard of Oz and
the book The Catcher in the Rye, which was written by reclusive
author J.D. Salinger, who served in the OSS with Henry Kissinger, who
was a close adviser to Gerald Ford, who once met and shook hands with
Mark David Chapman, who was 'examined' by psychiatrist/hypnotist
Bernard Diamond, who also 'examined' Sirhan Sirhan, who had
connections to the Process Church, as did many of those ensnared in
this sordid web, including Kenneth Anger, John Phillips, Roy Radin,
David Berkowitz and Charlie Manson, who attended a New Year's Eve
party at the home of John Phillips, who wrote the siren song of
the 'Summer of Love,' bringing thousands of hippies and flower
children streaming into San Francisco and into the hands of such
figures as Louis "Dr. Jolly" West, Anton LaVey, Charlie Manson, Bobby
Beausoleil, Timothy Leary and Kenneth Anger, who - just three days
after the suspicious death of Rolling Stone Brian Jones - filmed the
Hell's Angels stomping the crowd at a 1969 Stones concert in London,
just five months before they did the very same thing to the crowd at
Altamont, which was organized by San Francisco attorney Melvin Belli,
whose clients included the widow of Hermann Goering and Jack Ruby,
who assassinated Lee Harvey Oswald, the purported assassin of John
Kennedy, whose brother Robert was romantically linked to Jayne
Mansfield, as was Anton LaVey, who served as Roman Polanski's
technical director on the 1968 film Rosemary's Baby, which was set in
New York's Dakota Apartments, where John Lennon was gunned down by
Mark David Chapman, who shared a fixation on The Catcher in the Rye
with failed assassin John Hinckley, Jr., who stalked actress Jodie
Foster, who is working on a film biography of Leni Riefenstahl, who
was met by - and admired by - fellow filmmaker Kenneth Anger, who
laced his film Scorpio Rising with Nazi imagery, including the
prominent use of swastikas, not unlike the one carved into the
forehead of Charlie Manson, who - at the Cielo Drive home of Polanski
and Tate - had a chance meeting with Nancy Sinatra, the daughter of
Frank Sinatra, who was married to actress Mia Farrow, who starred in
the Polanski-directed Rosemary's Baby, which was produced by Robert
Evans, a friend of Henry Kissinger, who was the righthand man of
President Richard Nixon, whose election was ensured by the
assassination of Robert Kennedy by Sirhan Sirhan, who was yet another
client of Melvin Belli, as were the Hell's Angels and Nazi-
collaborator Errol Flynn, who made two films with Ronald Reagan, who
was an occasional visitor to the childhood home of Candace Bergen,
who - as a photojournalist - chronicled the short-lived
administration of Gerald Ford, who married one of his friend Harry
Conover's 'covergirls,' who later opened the Betty Ford Center, where
various celebrities in and out of this web routinely check in for
tune-ups..
I could probably go on, but I really
have to get back to work
on my screenplay. I'm thinking of trying to break into Hollywood. I
have this great script about a guy who is propelled to the heights of
power through a combination of fraud, arrogance, legal manipulation
and public denial to lead an imperialist military power that
masterfully uses propaganda to turn reality on its head.
When the man-who-would-be-king first
takes office, the public
views him with a considerable amount of well-deserved skepticism. But
then there is an apparent attack upon the state which is used as a
pretext to rally the support of the people behind a reactionary
social agenda and a war of unspecified duration with unspecified
goals. Some suspect that the attack was actually an inside job, but
they are ridiculed by those who scoff at the notion that their
government would attack one of its own institutions.
Meanwhile, the anti-hero sells the
country out to huge
corporate and financial interests and institutes overt police state
measures to keep the masses in line should the people ever begin to
catch on that their collective reality is little more than a grand
illusion. Much later, historians reluctantly admit that the purported
attack was in fact a staged provocation, but by then it is too late.
I'm almost done with the final draft.
I just have to decide
whether to name my anti-hero Adolf or George. Then I'm going to have
my people get in touch with Jerry Bruckheimer's people and close the
deal.
Of course, I might have to take out
some of the plot elements
and replace them with gratuitous, but really cool, special effects
sequences. But it will still be a great movie. Maybe even as good as
the biography of the Marquis de Sade that Kenneth Anger had long
planned to film, in the original castle where deSade's crimes were
committed. But that's another story altogether.
* A number of journalists have written that the killing took place
later in the concert. This is perhaps due, at least in part, to the
deceptive way in which the film of the event, Gimme Shelter (arguably
the most widely viewed snuff film ever created), was edited. In the
film, the killing is deliberately shown out of sequence, making it
appear as though it occurred at the end of the concert. It did in
fact occur while the Stones played Sympathy for the Devil, as can be
discerned from a careful viewing of the final minutes of the video
version of the film. The band, fully aware of what was going on
immediately in front of the stage, played on. <back>
** Thompson, whose legal representation is provided by the same
politically-connected law firm that successfully shielded John and
Patsy Ramsey from prosecution, has been accused by the child
witnesses in the case dubbed the 'Franklin Cover-Up.' Anger was
suspected by police investigators, but was shielded from prosecution
by sex researcher Alfred Kinsey, a devoted follower of Aleister
Crowley. Kinsey died shortly after he and Anger visited Crowley's
Thelema Abbey in Sicily.
References
1. Bain, Donald The Control of Candy Jones, Playboy Press, 1976
2. Bowart, Walter Operation Mind Control, Dell Publishing, 1978
3. Bugliosi, Vincent with Curt Gentry Helter Skelter, Bantam Books,
1974
4. Bresler, Fenton Who Killed John Lennon?, St. Martin's Press, 1989
5. Constantine, Alex The Covert War Against Rock, Feral House, 2000
6. Cromelin, Richard "John Phillips; Singer-Songwriter Led the Mamas
and the Papas," Los Angeles Times, March 19, 2001
7. DeCamp, John W. The Franklin Cover-Up, AWT, Inc., 1992
8. Farr, Louise The Sunset Murders, Pocket Books, 1992
9. Fricke, David "Life of a California Dreamer," Rolling Stone #867,
April 26, 2001
10. Gilmore, John and Ron Kenner Manson: The Unholy Trail of Charlie
and the Family, Amok, 2000
11. Landis, Bill Anger: The Unauthorized Biography of Kenneth Anger,
Harper Collins, 1995
12. Lee, Martin and Bruce Shlain Acid Dreams, Grove Press, 1985
13. Levenda, Peter Unholy Alliance, Avon, 1995
14. Marks, John The Search for the Manchurian Candidate, Times Books,
1979
15. McGunagle, Fred "The Man Who Killed John Lennon," The Crime
Library, www.crimelibrary.com
16. Moench, Doug The Big Book of Conspiracies, Paradox Press, 1995
17. Sanders, Ed The Family, Dutton, 1971
18. Street-Porter, Janet Scandal!, Penguin Books, 1981
19. Terry, Maury The Ultimate Evil, Barnes and Noble Books, 1999
20. Vankin, Jonathan and John Whalen The 60 Greatest Conspiracies of
All Time, Citadel, 1998
21. Vankin, Jonathan Conspiracies, Cover-Ups and Crimes, Illuminet
Press, 1996
22. Wick, Steve Bad Company: Drugs, Hollywood, and the Cotton Club
Murder, St. Martin's, 1990
23. "The John Lennon Assassination," A&E American Justice
24. "John Lennon: The Final Days," E! True Hollywood Story
25. "Oscar Levant," E! Mysteries and Scandals
Date: Tue, 19
Feb 2002 16:46:34 -0600 Subject: Pentagon Propaganda Plan Is Undemocratic,
FAIR-L
Fairness & Accuracy In Reporting Media analysis, critiques and activism
MEDIA
ADVISORY:
Pentagon
Propaganda Plan Is Undemocratic, Possibly Illegal
February 19,
2002
The New York Times reported
today that the Pentagon’s Office of Strategic Influence is “developing plans
to provide news items, possibly even false ones, to foreign media organizations”
in an effort “to influence public sentiment and policy makers in both friendly
and unfriendly countries.”
The OSI was created shortly
after September 11 to publicize the U.S. government’s perspective in Islamic
countries and to generate support for the U.S.’s “war on terror.” This
latest announcement raises grave concerns that far from being an honest effort
to explain U.S. policy, the OSI may be a profoundly undemocratic program devoted
to spreading disinformation and misleading the public, both at home and abroad.
At the same time, involving reporters in disinformation campaigns puts the lives
of working journalists at risk.
Despite the OSI’s
multi-million-dollar budget and its mandate to propagandize throughout the
Middle East, Asia and Western Europe, “even many senior Pentagon officials and
Congressional military aides say they know almost nothing about its purpose and
plans,” according to the Times. The Times reported that the OSI’s latest
announcement has generated opposition within the Pentagon among those who fear
that it will undermine the Defense Department’s credibility.
Tarnished credibility may be
the least of the problems created by the OSI’s new plan to manipulate media--
the plan may compromise the free flow of information that democracy relies on.
The government is barred by law from propagandizing within the U.S., but the OSI’s
new plan will likely lead to disinformation planted in a foreign news report
being picked up by U.S. news outlets. The war in Afghanistan has shown that the
24-hour news cycle, combined with cuts in the foreign news budgets across the
U.S., make overseas outlets like Al-Jazeera and Reuters key resources for U.S.
reporters.
Any “accidental”
propaganda fallout from the OSI’s efforts is troubling enough, but given the
U.S. government’s track record on domestic propaganda, U.S. media should be
pushing especially hard for more information about the operation’s other,
intentional policies.
According to the New York
Times, “one of the military units assigned to carry out the policies of the
Office of Strategic Influence” is the U.S. Army’s Psychological Operations
Command (PSYOPS). The Times doesn’t mention, however, that PSYOPS has been
accused of operating domestically as recently as the Kosovo war.
In February 2000, reports in
Dutch and French newspapers revealed that several officers from the 4th PSYOPS
Group had worked in the news division at CNN's Atlanta headquarters as part of
an “internship” program starting in the final days of the Kosovo War.
Coverage of this disturbing story was scarce (see http://www.fair.org/activism/cnn-psyops.html),
but after FAIR issued an Action Alert on the story, CNN stated that it had
already terminated the program and acknowledged that it was “inappropriate.”
Even if the PSYOPS officers
working in the newsroom did not directly influence news reporting, the question
remains of whether CNN may have allowed the military to conduct an
intelligence-gathering mission against the network itself. The idea isn’t
far-fetched-- according to Intelligence Newsletter (2/17/00), a rear admiral
from the Special Operations Command told a PSYOPS conference that the military
needed to find ways to "gain control" over commercial news satellites
to help bring down an "informational cone of silence" over regions
where special operations were taking place. One of CNN’s PSYOPS “interns”
worked in the network’s satellite division. (During the Afghanistan war the
Pentagon found a very direct way to “gain control”—it simply bought up all
commercial satellite images of Afghanistan, in order to prevent media from
accessing them.)
It’s worth noting that the
4th PSYOPS group is the same group that staffed the National Security Council's
now notorious Office of Public Diplomacy (OPD), which planted stories in the
U.S. media supporting the Reagan Administration's Central America policies
during the 1980s. Described by a senior U.S. official as a "vast
psychological warfare operation of the kind the military conducts to influence a
population in enemy territory" (Miami Herald, 7/19/87), the OPD was shut
down after the Iran-Contra investigations, but not before influencing coverage
in major outlets including the Wall Street Journal, New York Times and
Washington Post (Extra!, 9-10/01).
The OPD may be gone, but the
Bush administration’s recent recess appointment of former OPD head Otto Reich
as assistant secretary of state for Western Hemisphere affairs is not
reassuring. It suggests, at best, a troubling indifference to Reich’s role in
orchestrating the OPD’s deception of the American people.
Indeed, as the Federation of
American Scientists points out, “the Bush Administration’s insistent efforts
to expand the scope of official secrecy have now been widely noted as a defining
characteristic of the Bush presidency” (Secrecy News, 2/18/02). The
administration’s refusal to disclose Enron-related information to the General
Accounting Office is perhaps the most publicized of these efforts; another is
Attorney General John Ashcroft’s October 12 memo urging federal agencies to
resist Freedom Of Information Act requests.
In addition, the Pentagon’s
restrictive press policies throughout the war in Afghanistan have been an
ongoing problem. Most recently, Washington Post reporter Doug Struck claims that
U.S. soldiers threatened to shoot him if he proceeded with an attempt to
investigate a site where civilians had been killed; Struck has stated that for
him, the central question raised by the incident is whether the Pentagon is
trying to “cover up” its actions and why it won’t “allow access by
reporters to determine what they're doing here in Afghanistan” (CBS, “The
Early Show,” 2/13/02).
Taken together, these
incidents and policies should raise alarm bells for media throughout the
country. Democracy doesn’t work if the public does not have access to full and
accurate information about its government.
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